United States Presidential Line of Succession in Fiction

United States Presidential Line Of Succession In Fiction

The somewhat elaborate rules and laws governing succession to the Presidency have long provided fodder for creators of fiction. Several novels, films, and television series have speculated regarding the United States presidential line of succession and in what ways it would be implemented in unusual circumstances. The following are some examples of fictional portrayals of United States presidential succession:

Read more about United States Presidential Line Of Succession In Fiction:  Books, Films, Television, Videogames

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    Steal away and stay away.
    Don’t join too many gangs. Join few if any.
    Join the United States and join the family
    But not much in between unless a college.
    Robert Frost (1874–1963)

    I have ever deemed it fundamental for the United States never to take active part in the quarrels of Europe. Their political interests are entirely distinct from ours. Their mutual jealousies, their balance of power, their complicated alliances, their forms and principles of government, are all foreign to us. They are nations of eternal war.
    Thomas Jefferson (1743–1826)

    An ... important antidote to American democracy is American gerontocracy. The positions of eminence and authority in Congress are allotted in accordance with length of service, regardless of quality. Superficial observers have long criticized the United States for making a fetish of youth. This is unfair. Uniquely among modern organs of public and private administration, its national legislature rewards senility.
    John Kenneth Galbraith (b. 1908)

    Because of these convictions, I made a personal decision in the 1964 Presidential campaign to make education a fundamental issue and to put it high on the nation’s agenda. I proposed to act on my belief that regardless of a family’s financial condition, education should be available to every child in the United States—as much education as he could absorb.
    Lyndon Baines Johnson (1908–1973)

    The modern picture of The Artist began to form: The poor, but free spirit, plebeian but aspiring only to be classless, to cut himself forever free from the bonds of the greedy bourgeoisie, to be whatever the fat burghers feared most, to cross the line wherever they drew it, to look at the world in a way they couldn’t see, to be high, live low, stay young forever—in short, to be the bohemian.
    Tom Wolfe (b. 1931)

    the negro Babo took by succession each Spaniard forward, and asked him whose skeleton that was, and whether, from its whiteness, he should not think it a white’s.
    Herman Melville (1819–1891)

    We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.
    Daniel Easterman (b. 1949)