Architecture
Designed by the architect James Ingo Freed of Pei Cobb Freed & Partners, in association with Finegold Alexander + Associates Inc, the USHMM is created to be a "resonator of memory". (Born to a Jewish family in Germany, Freed came to the United States at the age of nine in 1939 with his parents, who fled the Nazi regime.) The outside of the building disappears into the neoclassical, Georgian, and modern architecture of Washington, D.C. Upon entering, each architectural feature becomes a new element of allusion to the Holocaust. In designing the building, Freed researched post-World War II German architecture and visited Holocaust sites throughout Europe. The Museum building and the exhibitions within are intended to evoke deception, fear, and solemnity, in contrast to the comfort and grandiosity usually associated with Washington, D.C. public buildings.
Other partners in the construction of the USHMM included Weiskopf & Pickworth, Cosentini Associates LLP, Jules Fisher, and Paul Marantz, all from New York City. The Museum's Meyerhoff Theatre and Rubenstein Auditorium were constructed by Jules Fisher Associates of New York City. The Permanent Exhibition was designed by Ralph Appelbaum Associates.
Read more about this topic: United States Holocaust Memorial Museum
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