United States Capitol - Interior

Interior

Main article: United States Capitol rotunda See also: United States Capitol Subway System

The Capitol building is marked by its central dome above a rotunda and two wings, one for each chamber of Congress: the north wing is the Senate chamber and the south wing is the House of Representatives chamber. Above these chambers are galleries where visitors can watch the Senate and House of Representatives. It is an example of the neoclassical architecture style. The statue on top of the dome is the Statue of Freedom.

Underground tunnels and a private subway connect the main Capitol building with each of the Congressional office buildings in the surrounding complex. All rooms in the Capitol are designated as either S (for Senate) or H (for House), depending on whether they are north (Senate) or south (House) of the Rotunda. Additionally, all addresses in Washington, D.C. are designated NE, NW, SE, or SW, in relation to the Rotunda. Since the Capitol Rotunda is not located in the center of the District—it is slightly farther east and south—the four D.C. quadrants are not the same shape and size.

Read more about this topic:  United States Capitol

Famous quotes containing the word interior:

    Those who sit in a glass house do wrong to throw stones about them; besides, the American glass house is rather thin, it will break easily, and the interior is anything but a gainly sight.
    Emma Goldman (1869–1940)

    Surely there must be some way to find a husband or, for that matter, merely an escort, without sacrificing one’s privacy, self-respect, and interior decorating scheme. For example, men could be imported from the developing countries, many parts of which are suffering from a man excess, at least in relation to local food supply.
    Barbara Ehrenreich (b. 1941)

    Anyone with a real taste for solitude who indulges that taste encounters the dangers of any other drug-taker. The habit grows. You become an addict.... Absorbed in the visions of solitude, human beings are only interruptions. What voice can equal the voices of solitude? What sights equal the movement of a single day’s tide of light across the floor boards of one room? What drama be as continuously absorbing as the interior one?
    Jessamyn West (1902–1984)