Preparation
The twelve remaining designs were released by the Treasury for public comment in early 1974. Two of the proposed coins featured sailing ships, two featured Independence Hall in Philadelphia, where the Declaration of Independence was signed, and three depicted the moon or lunar spacecraft. Another depicted the Liberty Bell superimposed on an atomic symbol. According to numismatist Michael Marotta in his 2001 article on the Bicentennial coins, "the numismatic community's reaction to the entries was predictable: everyone complained by writing letters to the editor".
From the twelve, the judges selected six finalists for review by the National Bicentennial Coin Design Competition Committee, consisting of Brooks, Representative Wright Patman, Senator John Sparkman, Commission of Fine Arts Secretary Charles H. Atherton and Eric P. Newman, chairman of the ARBC's coins and medals advisory committee. After receiving the committee's recommendations, Secretary Shultz selected the winners and on March 6, 1974, Brooks went on the Today show to announce them. Jack L. Ahr's design featuring a colonial drummer, with a torch of victory surrounded by thirteen stars (representing the original states) was selected for the quarter. Seth Huntington's image of Independence Hall was selected for the half dollar while Dennis R. Williams' superimposition of the Liberty Bell against the moon was successful for the dollar. Ahr owned a commercial art firm and Huntington was head artist for Brown and Bigelow, a Minneapolis publishing firm. Williams, at age 22 the youngest person to design a US coin, was an art student who had originally created his design for a class assignment. No change would be made to the obverses of the coins, except for the double dating.
Ahr was accused of copying his drummer from a 1973 stamp by the stamp's designer, William A. Smith; he denied it. According to numismatic historian Walter Breen, "both obviously derive from Archibald Willard's 1876 painting Spirit of '76," a painting which numismatic author David L. Ganz suggests that both undoubtedly saw sometime in their lives. Ahr, however, stated that his son had been the model for the drummer. Brooks, in a letter to Smith, stated that the design for the quarter was "sufficiently original" to impress the National Sculpture Society. Weinman later deprecated the winning designs:
I really don't think what we got was a great bargain. Nothing we selected was a real winner that I'd fight to the death for. In terms of what we had to work with, though, I think we did the best we could.
On April 24, 1974, the three winning designers were brought to Washington, D.C. After a tour of the White House and meetings with the congressional committees which considered the coin bills, they went to the Treasury Building and received their $5,000 checks from the new Treasury Secretary, William E. Simon, who jokingly asked them if they wanted to invest their awards in savings bonds.
Mint Chief Engraver Frank Gasparro made minor changes to all three reverse designs. Gasparro simplified the quarter design, altered the drum for the sake of authenticity, changed the lettering and modified the expression on the drummer's face. He made slight changes to Independence Hall on the half dollar and altered the shape of the Liberty Bell and of the lettering on the dollar, simplifying the features visible on the moon. Ahr later stated that he would have liked more time to finalize his design, wishing to clarify the features of the drummer's face. The initials of the designer were added to the design by the Mint. All three agreed that Gasparro's changes improved their designs.
Read more about this topic: United States Bicentennial Coinage
Famous quotes containing the word preparation:
“It’s sad but true that if you focus your attention on housework and meal preparation and diapers, raising children does start to look like drudgery pretty quickly. On the other hand, if you see yourself as nothing less than your child’s nurturer, role model, teacher, spiritual guide, and mentor, your days take on a very different cast.”
—Joyce Maynard (20th century)
“With memory set smarting like a reopened wound, a man’s past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavours and the tinglings of a merited shame.”
—George Eliot [Mary Ann (or Marian)
“Living each day as a preparation for the next is an exciting way to live. Looking forward to something is much more fun than looking back at something—and much more constructive. If we can prepare ourselves so that we never have to think, “Oh, if I had only known, if I had only been ready,” our lives can really be the great adventure we so passionately want them to be.”
—Hortense Odlum (1892–?)