United States Air Force - Culture

Culture

The culture of the United States Air Force is primarily driven by pilots and so the pilots of various aircraft types have driven its priorities over the years. At first there was a focus on bombers (driven originally by the Bomber mafia), followed by a focus on fighters (Fighter Mafia and following).

In response to the 2007 United States Air Force nuclear weapons incident, Secretary of Defense Robert Gates accepted in June 2009 the resignations of Secretary of the Air Force Michael Wynne and the Chief of Staff of the Air Force General T. Michael Moseley. Moseley's successor, General Norton A. Schwartz, was the first officer appointed to that position who did not have a background as a fighter or bomber pilot. The Washington Post reported in 2010 that General Schwartz began to dismantle the rigid class system of the USAF.

Daniel L. Magruder, Jr defines USAF culture as a combination of the rigorous application of advanced technology, individualism and progressive airpower theory. Major General Charles J. Dunlap, Jr. adds that Air Force culture includes an egalitarianism bred from officers as warriors who work with small groups of enlisted airmen either as the service crew or onboard crew of their aircraft.

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Famous quotes containing the word culture:

    Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.
    Ellen Glasgow (1873–1945)

    If you’re anxious for to shine in the high esthetic line as a man
    of culture rare,
    You must get up all the germs of the transcendental terms, and plant
    them everywhere.
    You must lie upon the daisies and discourse in novel phrases of your
    complicated state of mind,
    The meaning doesn’t matter if it’s only idle chatter of a
    transcendental kind.
    Sir William Schwenck Gilbert (1836–1911)

    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
    Jacques Barzun (b. 1907)