Criticism
One critic has charged that as of October, 2005, the primary focus of United For Peace and Justice was to help the Democrats win electoral victories, and that their uncritical and unwavering support of the Democratic Party, regardless of the position taken by the Party or by candidates, was the central political position of UFPJ. However, UFPJ had sponsored protests outside the Democratic National Convention in July, 2004, calling for an "emphatic rejection of the Democratic 'leadership' that supported the war." In 2006, UFPJ, and many of its member groups, participated in the Voters for Peace campaign, a pledge which states, "I will only vote for or support federal candidates who publicly commit to a speedy end to the Iraq war, and to preventing future ‘wars of aggression’." Two UFPJ activists, Stanley Heller and Ben George, wrote an article in CounterPunch stressing the organisation's increasing radicalisation and distance from Democratic politicians, which they partly attributed to an increasingly pro-Palestinian position in relation to the Israeli-Palestinian conflict.
Another critic has criticized the hierarchy, as he perceives it, within the New York City based leadership of UFPJ. He also stated that "term limits must be enforced if the office of national coordinator is to be continued."
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Famous quotes containing the word criticism:
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)