Unilineal Evolution - Birth and Development of Unilineal Classical Social Evolutionism

Birth and Development of Unilineal Classical Social Evolutionism

While social evolutionists agree that the evolution-like process leads to the social progress, classical social evolutionists have developed many different theories, known as theories of unilineal evolution. Social evolutionism was the prevailing theory of early socio-cultural anthropology and social commentary, and is associated with scholars like Auguste Comte, Edward Burnett Tylor, Lewis Henry Morgan, and Herbert Spencer. Social evolutionism represented an attempt to formalize social thinking along scientific lines, later influenced by the biological theory of evolution. If organisms could develop over time according to discernible, deterministic laws, then it seemed reasonable that societies could as well. This really marks the beginning of Anthropology as a scientific discipline and a departure from traditional religious views of "primitive" cultures.

The term "Classical Social Evolutionism" is most closely associated with the 19th-century writings of Auguste Comte, Herbert Spencer (who coined the phrase "survival of the fittest") and William Graham Sumner. In many ways Spencer's theory of 'cosmic evolution' has much more in common with the works of Jean-Baptiste Lamarck and Auguste Comte than with contemporary works of Charles Darwin. Spencer also developed and published his theories several years earlier than Darwin. In regard to social institutions, however, there is a good case that Spencer's writings might be classified as 'Social Evolutionism'. Although he wrote that societies over time progressed, and that progress was accomplished through competition, he stressed that the individual (rather than the collectivity) is the unit of analysis that evolves, that evolution takes place through natural selection and that it affects social as well as biological phenomenon.

Read more about this topic:  Unilineal Evolution

Famous quotes containing the words birth and, birth, development, classical and/or social:

    The dreamcrossed twilight between birth and dying.
    —T.S. (Thomas Stearns)

    The unique and supreme voluptuousness of love lies in the certainty of committing evil. And men and women know from birth that in evil is found all sensual delight.
    Charles Baudelaire (1821–1867)

    Sleep hath its own world,
    And a wide realm of wild reality.
    And dreams in their development have breath,
    And tears, and tortures, and the touch of joy.
    George Gordon Noel Byron (1788–1824)

    Classical art, in a word, stands for form; romantic art for content. The romantic artist expects people to ask, What has he got to say? The classical artist expects them to ask, How does he say it?
    —R.G. (Robin George)

    ... the idea of a classless society is ... a disastrous mirage which cannot be maintained without tyranny of the few over the many. It is even more pernicious culturally than politically, not because the monolithic state forces the party line upon its intellectuals and artists, but because it has no social patterns to reflect.
    Agnes E. Meyer (1887–1970)