Unico Wilhelm Van Wassenaer - Music

Music

Between 1725 and 1740, he wrote the Concerti Armonici, but being a nobleman, he did not want to publish them in his own name (or because he doubted his ability as a composer). The concertos were published in 1740, by the Italian violin player Carlo Ricciotti (1681–1756), to whom the concertos were attributed at first. Van Wassenaer has therefore been called "the mystery composer."

The Polish composer Franciszek Lessel (1780–1838) asserted incorrectly that the concertos were written by Pergolesi. Since the style of the concertos is Italian, laid out in typical Roman fashion with four parts for violin and consisting of four parts instead of the Venetian three, they are comparable to works by Pietro Locatelli.

However, in 1979-1980 a manuscript of the six concerti was found in the archives of Twickel Castle (the castle where Van Wassenaer was born) labeled "Concerti Armonici." Although the handwriting was not by Van Wassenaer, the manuscript did have an introduction in his hand, reading: "Partition de mes concerts gravez par le Sr. Ricciotti". Because of the research done by the Dutch musicologist Albert Dunning, there can be no doubt that the concerti were, in fact, written by Van Wassenaer.

Dunning quotes the composer's Foreword in full--

Score of my concertos, engraved by Signor Ricciotti. These concertos were composed at different times between 1725 and 1740. When they were ready, I took them along to the musical gathering organized in The Hague by Mr Bentinck, myself and some foreign gentlemen. Ricciotti played the first violin. Afterwards I allowed him to make a copy of the concertos. When all six were ready, he asked permission to have them engraved. Upon my refusal he enlisted the aid of Mr Bentinck, to whose strong representations I finally acquiesced, on condition that my name did not appear anywhere on the copy and that he put his name to it, as he did. Mr Bentinck wanted to dedicate them to me; I refused absolutely, after which he told Ricciotti to dedicate them to him. In this way these concertos were published against my wishes. Some of them are tolerable, some middling, others wretched. Had they not been published, I would perhaps have corrected the mistakes in them, but other business has left me no leisure to amuse myself with them, and I would have caused their editor offence.

Concerti Armonici were among the works that formed the basis for Igor Stravinsky's Pulcinella, based on works considered at the time to be by Pergolesi.

Apart from Concerti Armonici, three sonatas for recorder and continuo also were discovered in the early 1990s.