Spectators
At a club or training level, underwater hockey is not particularly spectator friendly. Since the action is all below the surface, one must enter the water to get the full effect of the game. Spectators may either try on fins, a snorkel, and mask and enter the pool for a view of the playing area, or take advantage of the work of underwater videographers who have recorded major tournaments. Such tournaments often have live footage on jumbotron-style screens for the spectators which makes it a very exciting spectator sport. The 2006 (Sheffield, England) and 2010 (Durban, South Africa) World Championships were simultaneously webcast live to spectators around the world, while the 2008 European Championship in Istanbul, Turkey had excellent video coverage but no live streaming.
Filming the games is challenging even for the experienced videographer, as the players' movements are fast and there are few places on the surface or beneath it which are free from their seemingly frenzied movements. Games are often played width-wise across a 50 metre pool to provide spaces in between simultaneous games for player substitutes, penalty boxes, coaches and camera crews. However, research and development of filming techniques is ongoing.
Organizers of major tournaments are usually the point of contact for acquiring footage of underwater hockey matches. Although no official worldwide repository exists for recorded games, there are many websites and instructional DVDs. A wide variety of related footage can be found on video sharing sites.
Read more about this topic: Underwater Hockey
Famous quotes containing the word spectators:
“The spectators see more than the players.”
—Chinese proverb.
“The apparent rulers of the English nation are like the imposing personages of a splendid procession: it is by them the mob are influenced; it is they whom the spectators cheer. The real rulers are secreted in second-rate carriages; no one cares for them or asks after them, but they are obeyed implicitly and unconsciously by reason of the splendour of those who eclipsed and preceded them.”
—Walter Bagehot (1826–1877)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)