Recording
The acoustic guitar tracks on the album were played by Dave Matthews and Tim Reynolds. During the recording sessions, Matthews and Reynolds would sit face-to-face with a piece of glass between them, playing the same guitar part. This was done twice for each song, resulting in four acoustic guitar tracks (two from Matthews, two from Reynolds) all playing the same part on each song. Producer Steve Lillywhite frequently turned down the volume on Matthews' parts and turned up the volume on Reynolds' parts, resulting in Reynolds' guitar playing being more prominent on the final album. Reynolds then overdubbed additional acoustic and electric guitar parts.
Matthews has stated during performances that the harmonica solo performed by John Popper on "What Would You Say" was done in only five to ten minutes, while Matthews was in the bathroom.
One of Dave Matthews Band's most popular live songs, "Granny", was recorded in the studio sessions for this album and was originally intended to be the first single before being cut from the album.
"#34" is the only instrumental track on the album although it was played with lyrics on 9 occasions in 1993, prior to the band taking it to the studio. The band originally recorded the song with lyrics, but they were removed from the final album cut. On some pressings of the album there are 22 blank tracks between "Pay for What You Get" and "#34", so that the latter appears as track number 34. Other pressings simply have the 12th track pre-pended by a period of silence.
Read more about this topic: Under The Table And Dreaming
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)