Film
In the movie, The Addams Family, Fester (played by Christopher Lloyd) is the long-lost brother of Gomez Addams. He was believed to have been lost in the Bermuda Triangle for twenty-five years. A grifter named Abigail Craven (Elizabeth Wilson) conspires to steal the Addams' fortune using her son, Gordon, who displays an eerie resemblance to the missing Fester. On the night that the Addamses hold a séance to contact Fester's spirit, Gordon shows up at their door, posing as Fester. Although he is baffled and horrified by the Addamses at first, Gordon begins to take a liking to the family and their eccentric ways. In the end, he disobeys his mother and helps Gomez and his family get their house back. It is later discovered that Gordon is actually Fester, and that Abigail found him after his accident in the Bermuda Triangle, suffering from amnesia.
In Gomez's home movies from their childhood, Fester is shown to be hairless as a child (although, as Gordon Craven, he is seen shaving his head). At the end of the movie, it is revealed that Fester acquires his ability to conduct electricity after being electrocuted by lightning, which also restores his memory.
Fester also appears in the film's sequel (again played by Lloyd), Addams Family Values. This film centers around Fester's marriage to Debbie (Joan Cusack), the recently hired nanny who wishes to murder Fester and inherit his share of the Addams fortune.
Fester again appears in the direct-to-video film Addams Family Reunion, here played by Patrick Thomas. He is portrayed as a mad scientist reminiscent of old Grade-B horror films. He creates a dog named "Butcher" as a birthday present for Pugsley—a dog that mutates into a hair-devouring brute whenever someone says "good boy." At the end, Butcher attacks Cousin Itt—who is, understandably, quite nervous around him.
Read more about this topic: Uncle Fester
Famous quotes containing the word film:
“I’ll be right here.”
—Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
—Ingmar Bergman (b. 1918)
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)