Uncanny X-Men - Title

Issue Title Indicia title
1–49 The X-Men The X-Men
50–93 X-Men
94–113 X-Men
114–141 The Uncanny X-Men
142–393 The Uncanny X-Men
394–407 Uncanny X-Men
408–544; Vol. 2 1-20; Vol. 3 1- Uncanny X-Men

Until 2011, Uncanny X-Men remained Marvel Comics' only Silver Age title to retain its consecutive issue numbering since its conception, even during the early 1970s reprint hiatus. The Amazing Spider-Man, The Avengers, Fantastic Four and other legacy titles have all, at one time or another, restarted their numbering at #1, though later all returned to their original numbering. The final issue to be published under the original numbering was #544, published in October 2011, which was followed by a new #1 in November.

From issue #1 through #93 the indicia title was The X-Men. After the relaunch with issue #94, and up to #141, the article The was dropped from the indicia title, making it X-Men. Beginning with issue #142, and up to #407, the article was re-added along with the adjective "Uncanny" to change the indicia title to The Uncanny X-Men. Issue #408 was the first to use the indicia title Uncanny X-Men.

A separate series, titled simply X-Men, launched with an October 1991 cover date. From that point, fans and historians began to designate pre-1991 issues as The X-Men or, more commonly, The Uncanny X-Men.

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Famous quotes containing the word title:

    All his works might well enough be embraced under the title of one of them, a good specimen brick, “On Heroes, Hero-Worship, and the Heroic in History.” Of this department he is the Chief Professor in the World’s University, and even leaves Plutarch behind.
    Henry David Thoreau (1817–1862)

    And Reason kens he herits in
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    Assert their squalid lease of sin
    With earlier title than his own.
    Robert Bridges (1844–1930)

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)