Recording
The album was recorded in spring 1988 in Seattle, Washington and Newberg, Oregon with producer Drew Canulette. Frontman Chris Cornell said that during the recording sessions the band wasn't on the same page with Canulette. He said, "Material-wise we went through the process that we always do, but the producer wasn't used to the sound we wanted and didn't know what was happening in Seattle."
He later said that "we made a huge mistake with Ultramega OK, because we left our home surroundings and people we'd been involved with and used this producer that really did affect our album in a kind of negative way. The producer was suggested by SST because they could get a good deal. I regret it, because in terms of material, it should have been one of the best records we ever did. It actually slowed down our momentum a little bit because it didn't really sound like us."
Veteran Seattle producer Jack Endino, who also produced Soundgarden's first EP, Screaming Life, was in the process of re-mixing the album, and actually completed a rough mix of "Flower". But, due to the band wanting to move on and the financial costs involved with repressing and redistributing the record, it was put on hold.
Read more about this topic: Ultramega OK
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)