Recording
The album was recorded in spring 1988 in Seattle, Washington and Newberg, Oregon with producer Drew Canulette. Frontman Chris Cornell said that during the recording sessions the band wasn't on the same page with Canulette. He said, "Material-wise we went through the process that we always do, but the producer wasn't used to the sound we wanted and didn't know what was happening in Seattle."
He later said that "we made a huge mistake with Ultramega OK, because we left our home surroundings and people we'd been involved with and used this producer that really did affect our album in a kind of negative way. The producer was suggested by SST because they could get a good deal. I regret it, because in terms of material, it should have been one of the best records we ever did. It actually slowed down our momentum a little bit because it didn't really sound like us."
Veteran Seattle producer Jack Endino, who also produced Soundgarden's first EP, Screaming Life, was in the process of re-mixing the album, and actually completed a rough mix of "Flower". But, due to the band wanting to move on and the financial costs involved with repressing and redistributing the record, it was put on hold.
Read more about this topic: Ultramega OK
Famous quotes containing the word recording:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)