Plot
In the last days of World War II in Europe, Captain America, due to enhancement by a "Super-Soldier Serum", prevents the Nazis from launching an intercontinental missile. They are also soon revealed to be shape-shifting extraterrestrials led by one acting as SS officer Herr Kleiser. The exploding missile knocks the Captain out and he falls into the icy waters of the North Atlantic, presumed dead. 70 years later, Captain America is found and revived by a S.H.I.E.L.D. team led by General Nick Fury. Bruce Banner and Betty Ross lead a team of scientists working to recreate the Super-Soldier Serum in order to try and stop the real power that backed the Nazis - the alien Chitauri. Banner thinks the Super-Soldier Serum is the key to him controlling the Hulk, and he secretly uses his blood to try to create a cure, instead of using candidates that had been selected for the rebirth procedure.
The Chitauri destroy a S.H.I.E.L.D. satellite designed to track the alien ships. So Fury is forced by superiors to order the implementation of "Project Avenger", to gather together a team of superhumans. Fury tries to recruit - with mixed success - Giant Man (a scientist recently redacted from S.H.I.E.L.D), Wasp (Giant Man's wife), Iron Man/Tony Stark (an industrialist playboy), Thor (the Norse God of Thunder) and Black Widow, a S.H.I.E.L.D. assassin. After several setbacks, including a botched mission that led to almost the entire team quitting, the heroes unite to fight the Chitauri. Although successful, the team must then fight an out of control Hulk. Banner wanted to try his new serum against the attacking aliens, releasing his alter ego for the battle. The team managed to eventually distract the Hulk long enough for Betty to calm him, and Banner is then incarcerated.
Read more about this topic: Ultimate Avengers
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)