Ugo Betti - Works

Works

  • Il re pensieroso (The Thoughtful King, 1922)
  • La Padrona (The Mistress of the House, 1926)
  • L'isola meravigliosa (1929)
  • Il diluvia (1931)
  • Una bella domenica di settembre (1935)
  • I nostri sogni (1936)
  • Frano allo scalo nord (Landslide at the North Station, 1936)
  • Il paese delle vacanze (Summertime, 1937)
  • Favola di Natale (1937)
  • Il cacciatore di anitre (The Duck Hunter, 1940)
  • Il diluvio (The Flood, 1943)
  • Spiritismo nell'antica casa (Spirit-Raising in the Old House, 1944)
  • Corruzione al Palazzo di Giustizia (Corruption in the Palace of Justice, 1944-1945)
  • Delitto all'isola delle capre (Crime on Goat-Island, 1946)
  • Ispezione (The Inquiry, 1947)
  • Aque turbate (Troubled Waters, 1948)
  • La regina e lgli insorti (The Queen and the Rebels, 1949)
  • L'aiuola bruciata (The Burnt Flowerbed, 1952)
  • La Fuggitiva (The Fugitive, 1953)

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Famous quotes containing the word works:

    “He never works and never bathes, and yet he appears well fed always.... Well, what does he live on then?”
    —Edward T. Lowe, and Frank Strayer. Sauer (William V. Mong)

    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
    —Ralph Waldo Emerson (1803–1882)

    “...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
    —Sarah N. Cleghorn (1876–1959)