Works
- Il re pensieroso (The Thoughtful King, 1922)
- La Padrona (The Mistress of the House, 1926)
- L'isola meravigliosa (1929)
- Il diluvia (1931)
- Una bella domenica di settembre (1935)
- I nostri sogni (1936)
- Frano allo scalo nord (Landslide at the North Station, 1936)
- Il paese delle vacanze (Summertime, 1937)
- Favola di Natale (1937)
- Il cacciatore di anitre (The Duck Hunter, 1940)
- Il diluvio (The Flood, 1943)
- Spiritismo nell'antica casa (Spirit-Raising in the Old House, 1944)
- Corruzione al Palazzo di Giustizia (Corruption in the Palace of Justice, 1944-1945)
- Delitto all'isola delle capre (Crime on Goat-Island, 1946)
- Ispezione (The Inquiry, 1947)
- Aque turbate (Troubled Waters, 1948)
- La regina e lgli insorti (The Queen and the Rebels, 1949)
- L'aiuola bruciata (The Burnt Flowerbed, 1952)
- La Fuggitiva (The Fugitive, 1953)
Read more about this topic: Ugo Betti
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)