Ugo Betti - Works

Works

  • Il re pensieroso (The Thoughtful King, 1922)
  • La Padrona (The Mistress of the House, 1926)
  • L'isola meravigliosa (1929)
  • Il diluvia (1931)
  • Una bella domenica di settembre (1935)
  • I nostri sogni (1936)
  • Frano allo scalo nord (Landslide at the North Station, 1936)
  • Il paese delle vacanze (Summertime, 1937)
  • Favola di Natale (1937)
  • Il cacciatore di anitre (The Duck Hunter, 1940)
  • Il diluvio (The Flood, 1943)
  • Spiritismo nell'antica casa (Spirit-Raising in the Old House, 1944)
  • Corruzione al Palazzo di Giustizia (Corruption in the Palace of Justice, 1944-1945)
  • Delitto all'isola delle capre (Crime on Goat-Island, 1946)
  • Ispezione (The Inquiry, 1947)
  • Aque turbate (Troubled Waters, 1948)
  • La regina e lgli insorti (The Queen and the Rebels, 1949)
  • L'aiuola bruciata (The Burnt Flowerbed, 1952)
  • La Fuggitiva (The Fugitive, 1953)

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Famous quotes containing the word works:

    “We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
    —Henry David Thoreau (1817–1862)

    “Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
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    “Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
    —bell hooks (b. c. 1955)