History
The UFO Club (pronounced Yoof-oh) was founded by John Hopkins (usually known as "Hoppy") and Joe Boyd in an Irish dancehall called the "Blarney Club" in the basement of 31 Tottenham Court Road, under the Gala Berkeley Cinema. It opened on Dec. 23, 1966. Initially the club was advertised as "UFO Presents Night Tripper". This had been because Boyd and Hopkins could not decide on "UFO" or "Night Tripper" as a name for their club. Eventually they settled on "UFO".
Soft Machine and Pink Floyd were booked for the first two Fridays, and then re-engaged as the club carried on into 1967 after its initial success. Initial events combined live music with light shows, avant garde films and slide shows, and dance troupes.
Pink Floyd's tenure at UFO was short run. As their fame grew they were able to play bigger venues for higher fees. Boyd protested that their increasing fame was largely due to the success of UFO, but the band's management wanted to move on and an agreement was made for just three more Floyd performances at UFO, at an increased fee.
Hopkins and Boyd had to cast around for a new "house band" for UFO. They settled on Soft Machine but also started booking other acts who were attracted by the club's reputation. Amongst them were The Incredible String Band, Arthur Brown, Tomorrow, and Procol Harum, who played there when "A Whiter Shade of Pale" was No 1 in the charts.
An advertisement featuring the Flammarion engraving in the Feb 13–26 issue of The International Times for "UfOria! Festival of Love 10.30 till dawn" announced "feb.10 — the bonzo dog doodah band • flix–dali–bunuel • ginger johnson african drums" as well as "feb 17 — soft machine • mark boyle projections • movies • food • erogenius 3 + 4".
Hapshash and the Coloured Coat, consisting of Michael English and Nigel Waymouth, designed psychedelic posters to advertise events. The food was macrobiotic and included brown rice rissoles, vegetarian stuffed vine leaves and felafel.
Jack Braceland's (Fiveacres Lights) created some of the light shows with equipment which ranged from 16mm projection of what we would now call 'art house' films (often projected sideways or projected into smoke) or 5Kw 'Pani's' (effects projectors) borrowed from Samuelsons at Pinewood or Elstree film studios (or Strand Electric at Vauxhall) to overhead projectors with transpaernt trays borrowed from refrigerators and filled with water/indian ink/beer/whatever. A favorite was to use 'Aldis' slide projectors with dual layer 2x2 glass specimen slides with basic designs created with wax crayons (drawn by Lou - the oft naked lady) and then varoius substenses introduced with syringes - indian inks, snot, semen - in fact anything of imiscible viscosities. Bubbles made by injecting air between the glass plates which were then squeezed (by a pair of long nose pliers-in time to the music) would send folks even further off their heads!
The UFO Club’s success was its downfall — being too small to accommodate the increasing number of visitors. If a big name such as Jeff Beck was playing, UFO broke even, but the club usually lost money. In October 1967 the UFO Club at the Roundhouse folded.
Read more about this topic: UFO Club
Famous quotes containing the word history:
“Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds.”
—Henry David Thoreau (1817–1862)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (1874–1946)
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)