Themes and Subtext
Captain Nemo's name is a subtle allusion to Homer's Odyssey, a Greek epic poem. In The Odyssey, Odysseus meets the monstrous cyclops Polyphemus during the course of his wanderings. Polyphemus asks Odysseus his name, and Odysseus replies that his name is "Utis" (ουτις), which translates as "No-man" or "No-body". In the Latin translation of the Odyssey, this pseudonym is rendered as "Nemo", which in Latin also translates as "No-man" or "No-body". Similarly to Nemo, Odysseus is forced to wander the seas in exile (though only for 10 years) and is tormented by the deaths of his ship's crew.
Commander Matthew Fontaine Maury, "Captain Maury" in Verne's book, a real-life oceanographer who explored the winds, seas, currents, and collected samples of the bottom of the seas and charted all of these things, is mentioned a few times in this work by Jules Verne. Jules Verne certainly would have known of Matthew Maury's international fame and perhaps Maury's French ancestry.
References are made to other Frenchmen. Those include Jean-François de Galaup, comte de Lapérouse, a famous explorer who was lost while circumnavigating the globe; Dumont D'Urville, the explorer who found the remains of Lapérouse's ship; and Ferdinand Lesseps, builder of the Suez Canal and the nephew of the sole survivor of Lapérouse's expedition. The Nautilus seems to follow the footsteps of these men: She visits the waters where Lapérouse was lost; she sails to Antarctic waters and becomes stranded there, just like D'Urville's ship, the Astrolabe; and she passes through an underwater tunnel from the Red Sea into the Mediterranean.
The most famous part of the novel, the battle against a school of giant cuttlefish, begins when a crewman opens the hatch of the boat and gets caught by one of the monsters. As he is being pulled away by the tentacle that has grabbed him, he yells "Help!" in French. At the beginning of the next chapter, concerning the battle, Aronnax states that: "To convey such sights, one would take the pen of our most famous poet, Victor Hugo, author of The Toilers of the Sea". The Toilers of the Sea also contains an episode where a worker fights a giant octopus, wherein the octopus symbolizes the Industrial Revolution. It is probable that Verne borrowed the symbol, but used it to allude to the Revolutions of 1848 as well, in that the first man to stand against the "monster" and the first to be defeated by it is a Frenchman.
In several parts of the book, Captain Nemo is depicted as a champion of the world's underdogs and downtrodden. In one passage, Captain Nemo is mentioned as providing some help to Greeks rebelling against Ottoman rule during the Cretan Revolt of 1866–1869, proving to Arronax that he had not completely severed all relations with mankind outside the Nautilus after all. In another passage, Nemo takes pity on a poor Indian pearl diver who must do his diving without the sophisticated diving suit available to the submarine's crew, and who is doomed to die young due to the cumulative effect of diving on his lungs. Nemo approaches him underwater and gives him a whole pouch full of pearls, more than he could have acquired in years of his dangerous work. Nemo remarks that the diver as an inhabitant British Colonial India, "is an inhabitant of an oppressed country".
Some of Verne's ideas about the not-yet-existing submarines which were laid out in this book turned out to be prophetic, such as the high speed and secret conduct of today's nuclear attack submarines, and (with diesel submarines) the need to surface frequently for fresh air. However, Verne depicted the Nautilus as capable of diving freely into even the deepest of ocean depths, where in modern-day reality it is still not possible for a submarine to do so without being crushed by the weight of water above it. Only specially-purposed submergence vehicles such as bathyscaphe Trieste in 1960 and DSV DeepSea Challenger in 2012 reached the deepest point on Earth in the Mariana Trench with a man aboard.
Verne took the name "Nautilus" from one of the earliest successful submarines, built in 1800 by Robert Fulton, who later invented the first commercially successful steamboat. Fulton's submarine was named after the paper nautilus because it had a sail. Three years before writing his novel, Jules Verne also studied a model of the newly developed French Navy submarine Plongeur at the 1867 Exposition Universelle, which inspired him for his definition of the Nautilus. The world's first operational nuclear-powered submarine, the United States Navy's USS Nautilus (SSN-571) was named for Verne's fictional vessel.
Verne can also be credited with glimpsing the military possibilities of submarines, and specifically the danger which they posed to the naval superiority of the Royal Navy, composed of surface warships. The fictional sinking of a ship by Nemo's Nautilus was to be enacted again and again in reality, in the same waters where Verne predicted it, by German U-boats in both World Wars.
The breathing apparatus used by Nautilus divers is depicted as an untethered version of underwater breathing apparatus designed by Benoit Rouquayrol and Auguste Denayrouze in 1865. They designed a diving set with a backpack spherical air tank that supplied air through the first known demand regulator. The diver still walked on the seabed and did not swim. This set was called an aérophore (Greek for "air-carrier"). Air pressure tanks made with the technology of the time could only hold 30 atmospheres, and the diver had to be surface supplied; the tank was for bailout. The durations of 6 to 8 hours on a tankful without external supply recorded for the Rouquayrol set in the book are greatly exaggerated.
No less significant, though more rarely commented on, is the very bold political vision (indeed, revolutionary for its time) represented by the character of Captain Nemo. As revealed in the later Verne book The Mysterious Island, Captain Nemo is a descendant of Tipu Sultan (a Muslim ruler of Mysore who resisted the British Raj), who took to the underwater life after the suppression of the 1857 Indian Mutiny, in which his close family members were killed by the British.
This change was made on request of Verne's publisher, Pierre-Jules Hetzel (who is known to be responsible for many serious changes in Verne's books), since in the original text the mysterious captain was a Polish nobleman, avenging his family who were killed by Russians. They had been murdered in retaliation for the captain's taking part in the Polish January Uprising (1863). As real France was at the time allied with Tsarist Russia, the target for Nemo's wrath was changed to France's old enemy, the British Empire, to avoid political trouble. It is no wonder that Professor Pierre Aronnax does not suspect Nemo's origins, as these were explained only later, in Verne's next book. What remained in the book from the initial concept is a portrait of Tadeusz Kościuszko (a Polish national hero, leader of the uprising against Russia in 1794) with an inscription in Latin: "Finis Poloniae!" ("This is the end of Poland!").
The national origin of Captain Nemo was changed during most movie realizations; in nearly all picture-based works following the book he was made into a European. Nemo was represented as an Indian by Omar Sharif in the 1973 European miniseries The Mysterious Island. Nemo is also depicted as Indian in a silent film version of the story released in 1916 and later in both the graphic novel and the movie The League of Extraordinary Gentlemen. In Walt Disney's 20,000 Leagues Under the Sea, (1954), a live-action Technicolor film version of the novel, Captain Nemo is a European, bitter because his wife and son were tortured to death by those in power in the fictional prison camp of Rura Penthe in an effort to get Nemo to reveal his scientific secrets. This is Nemo's motivation for sinking warships in the film. He is played in this version by the English actor James Mason, with an English accent. No mention is made of any Indians in the film.
Read more about this topic: Twenty Thousand Leagues Under The Sea
Famous quotes containing the words themes and/or subtext:
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (18171862)
“God bless the physician who warms the speculum or holds your hand and looks into your eyes. Perhaps one subtext of the health care debate is a yen to be treated like a whole person, not just an eye, an ear, a nose or a throat. A yen to be human again, on the part of patient and doctor alike.”
—Anna Quindlen (b. 1952)