Ture Nerman - Works

Works

  • Folkhatet (1918) – a study of World War I.
  • Mänskligheten på marsch – (The Human Race on the March) – a Marxist perspective of the history of mankind.
  • Kommunisterna: från Komintern till Kominform - (The Communists: from Comintern to Cominform) a critical view of the development of international communism from Lenin to Stalin. (1949).
  • Ture Nerman wrote a biographical book about Joe Hill, the Swedish-American labor activist and political folk singer. Ture Nerman also translated most of Joe Hill's songs to Swedish.
  • Ture Nerman also wrote a biography about Cyrano de Bergerac in 1919.
  • Ture Nerman's three volume autobiography is called Allt var ungt (Everything Was Young), Allt var rött (Everything Was Red) and Trots allt! (Despite Everything!).
  • Nerman wrote a book about his journey in America called I vilda västern (In the Wild West) and a book about his travels in revolutionary Russia called I vilda östern (In the Wild East). He also wrote a book about some of his other political journeys, including to Germany and Zimmerwald, called Röda resor (Red Trips).
  • Nerman wrote several volumes of poetry. Mostly love poems or political revolutionary ones, and sometimes love and politics combined, like in Den vackraste visan om kärleken (The most beautiful love song), about a soldier who dies in the world war. He also wrote songs, including for the Swedish revue star Ernst Rolf. Nerman also worked closely with Karl Gerhard in the 1930s.
  • Nerman translated a lot of Marxist literature from German to Swedish, especially by Franz Mehring.

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Famous quotes containing the word works:

    No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.
    Bible: New Testament, Matthew 5:15,16.

    His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.
    Henry David Thoreau (1817–1862)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)