In Cultural Reference
Aside from various sketches Arghezi had drawn of himself, his portrait was drawn by various artists he met or befriended. Around 1910, he was included in group portraits by Ary Murnu and Camil Ressu, both of which depicted the literary society formed around the Kübler Café in Bucharest. An abstract depiction of Arghezi, showing him as a figure with a hunter case-shaped head, and sitting on an electric chair, was published by M. H. Maxy. Shortly before they died, Arghezi and his wife were the subject of an oil painting by Corneliu Baba.
Tudor Arghezi was several times portrayed in Romanian film: in 1958, Grigore Vasiliu Birlic played a major part in Arghezi's Doi Vecini (a character loosely based on the author); an eponymous film based on the life of Ştefan Luchian was released in 1981, starring Florin Călinescu as Arghezi.
Read more about this topic: Tudor Arghezi
Famous quotes containing the words cultural and/or reference:
“Hard times accounted in large part for the fact that the exposition was a financial disappointment in its first year, but Sally Rand and her fan dancers accomplished what applied science had failed to do, and the exposition closed in 1934 with a net profit, which was donated to participating cultural institutions, excluding Sally Rand.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“A sign, or representamen, is something which stands to somebody for something in some respect or capacity. It addresses somebody, that is, creates in the mind of that person an equivalent sign, or perhaps a more developed sign. That sign which it creates I call the interpretant of the first sign. The sign stands for something, its object. It stands for that object, not in all respects, but in reference to a sort of idea, which I have sometimes called the ground of the representamen.”
—Charles Sanders Peirce (18391914)