True Grit (1969 Film) - Production

Production

Filming took place mainly in Ouray County, Colorado, in the vicinity of Ridgway (now the home of the True Grit Cafe), around the town of Montrose (Montrose County), and the town of Ouray. (The script maintains the novel's references to place names in Arkansas and Oklahoma, in dramatic contrast to the Colorado topography.) The courtroom scenes were filmed at Ouray County Courthouse in Ouray.

The scenes that take place at the "dugout" and along the creek where Pierce and Moon are killed, as well as the scene where Rooster carries Mattie on her horse Little Blackie after the snakebite, were filmed at Hot Creek on the east side of the Sierra Nevada near the town of Mammoth Lakes, California. Mount Morrison and Laurel Mountain form the backdrop above the creek. This location was also used in North to Alaska. Filming was done from September to December 1968.

Mia Farrow was originally cast as Mattie and was keen on the role. However, prior to filming she made a film in England with Robert Mitchum, who advised her not to work with director Henry Hathaway because he was "cantankerous." Farrow asked producer Hal B. Wallis to replace Hathaway with Roman Polanski, who had directed Farrow in Rosemary's Baby, but Wallis refused. Farrow quit the role, which went to Kim Darby.

Wayne called Marguerite Roberts' script "the best script he had ever read." He particularly liked the scene with Darby where Rooster tells Mattie about his life in Illinois (where he has a restaurant, his wife Nola leaves him because of his degenerate friends, and has a clumsy son named Horace), calling it "about the best scene I ever did."

Veteran John Wayne stunt-double Chuck Hayward does the stunt in the meadow, where "Bo" goes down, on his long time horse Twinkle Toes. In the last scene, Mattie gives Rooster her father's gun. She comments that he's gotten a tall horse, as she expected he would. He notes that his new horse can jump a four-rail fence. Then she admonishes him, "You're too old and fat to be jumping horses." Rooster responds with a smile, saying, "Well, come see a fat old man sometime," and jumps his new horse over a fence. Although many of Wayne's stunts over the years were done by Hayward and Chuck Roberson, it is Wayne on Twinkle Toes going over the fence. Darby's stunts were done by Polly Burson.

The horse shown during the final scene (before he jumps the fence on Twinkle Toes) of True Grit was Dollor, a two-year-old (in 1969) chestnut Quarter horse gelding, Dollor ('Ole Dollor) had been Wayne's favorite horse for 10 years. Wayne fell in love with the horse, which would carry him through several more Westerns, including his final movie, The Shootist. Wayne had Dollor written into the script of The Shootist because of his love for the horse; it was a condition for him working on the project. Wayne would not let anyone else ride the horse, the lone exception being Robert Wagner, who rode the horse in a segment of the Hart to Hart television show, after Wayne's death.

Read more about this topic:  True Grit (1969 film)

Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)