Production
Working titles for Trouble in Paradise included "The Honest Finder," "Thieves and Lovers," and "The Golden Widow;" the latter was publicly announced to be the intended release title. As with all the Lubitsch-Raphaelson collaborations, Lubitsch contributed to the writing and Raphaelson contributed ideas to the directing. Lubitsch did not receive screen credit for his writing, and one of the writers credited, Grover Jones did not contribute significantly: although he was in the room, his credit was based on a contractual obligation, and he did little more than tell stories. Further, although supposedly based on Aladár László's 1931 play The Honest Finder, Lubitsch suggested that Raphaelson not read the play, and instead the main character, Herbert Marshall's master thief, was based on the exploits of a real person, Georges Manolescu, an Hungarian con-man whose memoir was published in 1907, and became the basis for two silent films.
Made before effective enforcement of the Production Code, the film is an example of pre-code cinema containing adult themes and sexual innuendo that was not permitted under the Code. In 1935, when the Production Code was being enforced, the film was not approved for reissue and was not seen again until 1968. Paramount was again rejected in 1943, when they intended to make a musical version of the film.
The Art Deco sets for Trouble in Paradise were designed by the head of Paramount's art department, Hans Dreier, and the gowns were designed by Travis Banton.
Read more about this topic: Trouble In Paradise (film)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (18691940)
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)