Reception
Tromeo and Juliet opened to generally positive reviews. Among the most notable, The New York Times called the film "exhilarating", Variety Magazine described it as a "no-holds Bard" and USA Today noted the film was "not just for Troma junkies...Tromeo and Juliet is sexy, silly, sweet and surreal!". Tromeo also played in art house theatres in Los Angeles and New York for months, and reportedly played at a San Francisco theatre for over a year.
In addition, Tromeo was selected to play at the Cannes Film Festival, the Fantasporto festival, the Mar del Plata Film Festival and the Italian Fantafestival, where it won the award for Best Film of 1997.
Daniel Rosenthal describes Tromeo and Juliet as "the nadir of screen Shakespeare... takes every major character and incident from Romeo and Juliet and systematically drains them of humanity in a tedious, appallingly acted feast of mutilation and softcore sex." Tony Howard summarizes it as a film "in which Juliet and the Nurse have lesbian sex, Romeo masturbates, various body parts are removed, the feud is between rival porn czars and incest rules".
After the success of Tromeo, Troma had plans to develop a spiritual sequel entitled Schlock and Schlockability (a play on Sense and Sensibility), in which Jane Austen is reincarnated as a well-endowed female who takes revenge on all of the Hollywood movie producers who have bastardized her novels. At one point, Troma announced that the film would head into production, but as of 2008, there are no plans to follow up on the film.
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Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)