Deep Structure and Surface Structure
Linguistics |
---|
Theoretical linguistics |
|
Descriptive linguistics |
|
Applied and experimental linguistics |
|
Related articles |
|
Portal |
In 1957, Noam Chomsky published Syntactic Structures, in which he developed the idea that each sentence in a language has two levels of representation — a deep structure and a surface structure. The deep structure represented the core semantic relations of a sentence, and was mapped on to the surface structure (which followed the phonological form of the sentence very closely) via transformations. Chomsky believed there are considerable similarities between languages' deep structures, and that these structures reveal properties, common to all languages that surface structures conceal. However, this may not have been the central motivation for introducing deep structure. Transformations had been proposed prior to the development of deep structure as a means of increasing the mathematical and descriptive power of context-free grammars. Similarly, deep structure was devised largely for technical reasons relating to early semantic theory. Chomsky emphasizes the importance of modern formal mathematical devices in the development of grammatical theory:
But the fundamental reason for inadequacy of traditional grammars is a more technical one. Although it was well understood that linguistic processes are in some sense "creative," the technical devices for expressing a system of recursive processes were simply not available until much more recently. In fact, a real understanding of how a language can (in Humboldt's words) "make infinite use of finite means" has developed only within the last thirty years, in the course of studies in the foundations of mathematics. —Aspects of the Theory of SyntaxRead more about this topic: Transformational Grammar
Famous quotes containing the words deep, structure and/or surface:
“It is those deep far-away things in him; those occasional flashings-forth of the intuitive Truth in him; those short, quick probings at the very axis of reality;Mthese are the things that make Shakespeare, Shakespeare.”
—Herman Melville (18191891)
“It is difficult even to choose the adjective
For this blank cold, this sadness without cause.
The great structure has become a minor house.
No turban walks across the lessened floors.
The greenhouse never so badly needed paint.”
—Wallace Stevens (18791955)
“A novelist is, like all mortals, more fully at home on the surface of the present than in the ooze of the past.”
—Vladimir Nabokov (18991977)