Development
Steven Soderbergh had been interested in making a film about the drug wars for some time but did not want to make one about addicts. Producer Laura Bickford obtained the rights to the United Kingdom mini-series Traffik and liked its structure. Soderbergh, who had seen the mini-series in 1990, started looking for a screenwriter to adapt it into a film. They read a script by Stephen Gaghan called Havoc about upper-class white kids in Palisades High School doing drugs and getting involved with gangs. Soderbergh approached Gaghan to work on his film, but found he was already working for producer/director Edward Zwick. Bickford and Soderbergh approached Zwick, who agreed to merge the two projects and come aboard as a producer.
Traffic was originally going to be distributed by 20th Century Fox, but it was put into turnaround unless actor Harrison Ford agreed to star. Soderbergh began shopping the film to other studios, but when Ford suddenly showed interest in Traffic, Fox's interest in the film was renewed and the studio took it out of turnaround. Fox CEO Bill Mechanic championed the film, but he departed from the studio by the time the first draft was finished. It went back into turnaround. Mechanic had also wanted to make some changes to the script, but Soderbergh disagreed and decided to shop the film to other major studios. They all turned him down because they were not confident in the prospects of a three-hour film about drugs, according to Gaghan. USA Films, however, had wanted to take on the movie from the first time Soderbergh approached them. They provided the filmmakers with a $46 million budget, a considerable increase from the $25 million which Fox offered.
Read more about this topic: Traffic (2000 film)
Famous quotes containing the word development:
“Ive always been impressed by the different paths babies take in their physical development on the way to walking. Its rare to see a behavior that starts out with such wide natural variation, yet becomes so uniform after only a few months.”
—Lawrence Kutner (20th century)
“As a final instance of the force of limitations in the development of concentration, I must mention that beautiful creature, Helen Keller, whom I have known for these many years. I am filled with wonder of her knowledge, acquired because shut out from all distraction. If I could have been deaf, dumb, and blind I also might have arrived at something.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (18451923)