Criticism
Some percussionists reject traditional grip, as it is believed to be inferior to matched grip in terms of convenience, efficiency, and quality of sound. Unlike German, French and American matched grip, the traditional grip is rarely used with the majority of other percussion instruments (e.g., mallet percussion or timpani).
Despite these criticisms, traditional grip has been used, and in some cases continues to be used by some of the best percussionists of modern times. Notwithstanding most of the criticisms, traditional grip is used by Division I drum corps to play the marching snare drum, due to its aesthetic appeal. Of course, those doing military re-enactments also use this grip (e.g. American Civil War, American Revolution, etc.).
Read more about this topic: Traditional Grip
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“Homoeopathy is insignificant as an art of healing, but of great value as criticism on the hygeia or medical practice of the time.”
—Ralph Waldo Emerson (18031882)
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—Walter Benjamin (18921940)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other mens genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)