Criticism
Some percussionists reject traditional grip, as it is believed to be inferior to matched grip in terms of convenience, efficiency, and quality of sound. Unlike German, French and American matched grip, the traditional grip is rarely used with the majority of other percussion instruments (e.g., mallet percussion or timpani).
Despite these criticisms, traditional grip has been used, and in some cases continues to be used by some of the best percussionists of modern times. Notwithstanding most of the criticisms, traditional grip is used by Division I drum corps to play the marching snare drum, due to its aesthetic appeal. Of course, those doing military re-enactments also use this grip (e.g. American Civil War, American Revolution, etc.).
Read more about this topic: Traditional Grip
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“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (18921940)
“It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)