Criticism
Some percussionists reject traditional grip, as it is believed to be inferior to matched grip in terms of convenience, efficiency, and quality of sound. Unlike German, French and American matched grip, the traditional grip is rarely used with the majority of other percussion instruments (e.g., mallet percussion or timpani).
Despite these criticisms, traditional grip has been used, and in some cases continues to be used by some of the best percussionists of modern times. Notwithstanding most of the criticisms, traditional grip is used by Division I drum corps to play the marching snare drum, due to its aesthetic appeal. Of course, those doing military re-enactments also use this grip (e.g. American Civil War, American Revolution, etc.).
Read more about this topic: Traditional Grip
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“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)
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—Mary Pickford (1893–1979)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)