Production
Many accidents occurred during filming in Africa. Many of the crew, including the director, contracted malaria. An African crewman fell into a river and was eaten by a crocodile. Another was killed by a charging rhino (which was captured on film and used in the movie). Swarms of insects, including locusts and tse-tse fly, were common.
Female lead Edwina Booth became infected, probably with malaria, during filming. It took six years for her to fully recover from this and other conditions she endured. She retired from acting soon after and sued MGM, which settled out of court.
A sound crew, sent half way through filming, were unable to produce good quality work. This resulted in most of the dialogue sequences being reshot at MGM's Culver City Studio. This caused rumours that the entire production had been filmed there, so most of this footage was cut from the final release. Many animal scenes were filmed in Tecate, Mexico by a second unit to avoid the American laws on the ethical treatment of animals. For example, lions were reportedly starved to promote vicious attacks on hyenas, monkeys and deer.
The actual 'White Hunter' in the film was Lt. Col. W.V.D. Dickinson ("Dicker") OBE MC.
Read more about this topic: Trader Horn (1931 film)
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)