Plot
The film opens with a three-minute, twenty-second tracking shot widely considered by critics as one of the greatest long takes in cinematic history. On the U.S.-Mexico border, a man plants a time bomb in a car. A man and woman enter the vehicle and make a slow journey through town to the U.S. border. Newlyweds Miguel "Mike" Vargas (Charlton Heston) and Susie (Janet Leigh) pass the car several times on foot. The car crosses the border, then explodes, killing the occupants.
Miguel Vargas is a drug enforcement official in the Mexican government. Realizing the implications of a Mexican bomb exploding on American soil, he takes an interest in the investigation. Police Chief Pete Gould (Harry Shannon) and District Attorney Adair (Ray Collins) arrive on the scene, followed by police Captain Hank Quinlan (Orson Welles) and Quinlan's longtime partner, Pete Menzies (Joseph Calleia).
Quinlan and Menzies' prime suspect is Sanchez, a young Mexican secretly married to the victim's daughter. They interrogate him in his apartment with Vargas present. Vargas visits the bathroom and accidentally knocks over an empty shoebox. Moments later, Menzies announces that two sticks of dynamite were found in the same, empty, shoebox in the bathroom. Vargas suspects Quinlan may have been planting evidence for years to help win convictions. Quinlan dismisses Vargas' claim saying he is just biased in favor of fellow Mexicans. With assistance from District Attorney's Assistant Al Schwartz (Mort Mills), Vargas studies the public records on Quinlan's previous cases, revealing his findings to Gould and Adiar. Quinlan arrives on the scene in time to overhear the discussion and angrily threatens to resign.
Susie moved from her Mexican hotel to an American motel to escape the unwanted attention of Grandi (Akim Tamiroff), brother of a man Vargas has been investigating. She finds the motel, which Menzies recommended to her, has no other guests and is staffed only by a mentally challenged night manager (Dennis Weaver). Grandi family members take over the motel. Vargas becomes concerned when his attempts to telephone Susie at the motel are sabotaged. Quinlan conspires with Grandi; they arrange for Susie to be kidnapped by the gang, injected with drugs, and taken to Grandi’s other motel in town. There, Quinlan strangles Grandi and frames Susie for the murder in order to discredit Vargas.
Vargas confronts Menzies about the history of evidence "discovered" by Menzies or Quinlan. Menzies dismisses the claim. Vargas goes to Susie's motel but discovers her - and the gun he left with her - missing. Learning the motel is owned by Grandi, Vargas travels to Grandi's other motel in search of Susie, and confronts the gang members who attacked her; when the gang members refuse to answer him, Vargas violently beats them down. Al informs Vargas that Susie has been arrested for murder; at the lockup Vargas finds her barely conscious. Menzies reveals to Vargas he discovered Quinlan's cane at the murder scene. Vargas fits Menzies with a wire. Menzies confronts Quinlan at an oil field and they discuss Quinlan's activities while being tracked on foot by Vargas recording the conversation.
Quinlan states to Menzies that he planted evidence on people, but they were nevertheless "guilty, guilty". Quinlan hears the feedback; Quinlan says his "game leg" informs him of Menzies' wire. Quinlan demands Vargas show himself; when he does, Quinlan shoots Menzies with Vargas' gun. Quinlan prepares to shoot Vargas, but is shot by the dying Menzies. It is revealed Sanchez has confessed and really did commit the crime. Vargas leaves town with Susie.
Read more about this topic: Touch Of Evil
Famous quotes containing the word plot:
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, revivd, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (16311700)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)