Totem Poles Outside of Original Context
When poles are removed from their original context their meaning changes. Poles used in the CCC-created totem parks of Southeast Alaska were removed from their original places as funerary and crest poles to be copied or repaired and then placed in parks based on English and French garden designs to demystify their meaning for tourists.
Poles from the Northwest have sometimes been exported to be displayed out of their original context. In Britain, at the side of Virginia Water Lake, in the south of Windsor Great Park there is a 100-foot (30 m) high Canadian totem pole given to Queen Elizabeth II, commemorating the centenary of British Columbia. In Seattle, Washington, a Tlingit funerary totem pole was raised in Pioneer Square after being taken from an Alaskan village.
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Famous quotes containing the words totem poles, totem, poles, original and/or context:
“Totem poles and wooden masks no longer suggest tribal villages but fashionable drawing rooms in New York and Paris.”
—Mason Cooley (b. 1927)
“Now defined as art, the totem has lost cult, taboo, and custom.”
—Mason Cooley (b. 1927)
“I see you boys of summer in your ruin.
Man in his maggot’s barren.
And boys are full and foreign in the pouch.
I am the man your father was.
We are the sons of flint and pitch.
O see the poles are kissing as they cross.”
—Dylan Thomas (1914–1953)
“We are obliged to regard many of our original minds as crazy at least until we have become as clever as they are.”
—G.C. (Georg Christoph)
“The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.”
—Germaine Greer (b. 1939)