Career
He was originally a member of the punk band London SS, along with Brian James, (later of The Damned), and Mick Jones plus Terry Chimes (both future members of The Clash).
Later, James joined the early punk band Chelsea. The group included Billy Idol (then William Broad) on the guitar, John Towe on drums and Gene October on vocals. Soon they left October to form Generation X (named after a 1960s paperback novel, by Jane Deverson, not to be confused with the 1990s book by Douglas Coupland), a British punk band of the late 1970s.
Tony James—after penning "Russian Roulette" for Stiv Bators and The Lords of the New Church and producing a Sex Gang Children album—formed glam punk band Sigue Sigue Sputnik with fashion designer-cum-singer Martin Degville in the 1980s as his follow-up to Generation X. His "space bass" became the "sput style" trademark.
In 1990, Tony James became a member of The Sisters of Mercy, and played bass on their Vision Thing album, he also played on the band's following live tours. James left the Sisters the following year.
He still tours today, and has reformed Sigue Sigue Sputnik, crediting the internet for letting him see fans were still interested.
In 2002, James teamed up with Mick Jones of The Clash & Big Audio Dynamite to form Carbon/Silicon. He continues to work with Jones, now co-writing songs and playing guitar for the band. 0 In 2010 he helped a new up and coming band 'Patch William' produce a tour video for their single release.
Read more about this topic: Tony James
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)