Voice and Musical Ability
Braxton has been recognized for her distinctive dramatic contralto voice. Her voice has been called "husky, sultry, elegant and sexy." Due to the huskiness of her voice, Braxton often used male singers such as Michael McDonald, Luther Vandross and Stevie Wonder as vocal style models. Chaka Khan and Anita Baker were two of the few female singers, that she could stylize. Steve Huey of Allmusic cites a key to Braxton's success is the versatility of her voice, which he states as being "soulful enough for R&B audiences, but smooth enough for adult contemporary; sophisticated enough for adults, but sultry enough for younger listeners; strong enough in the face of heartbreak to appeal to women, but ravishing enough to nab the fellas."
Braxton began her career singing traditional R&B and adult contemporary ballads and love songs on her debut and sophomore albums. However, hip-hop soul and dance music elements begun to get spun into her sound on The Heat, More Than a Woman, and Pulse. She also showcased her classical training while performing in Broadway plays Beauty and the Beast and Aida as well as her duet with Il Divo, "The Time of Our Lives".
Read more about this topic: Toni Braxton
Famous quotes containing the words voice and, voice, musical and/or ability:
“And still we wear our uniforms, follow
The cracked cry of the bugles, comb and brush
Our pride and prejudice, doctor the sallow
Initial ardor, wish to keep it fresh.
Still we applaud the Presidents voice and face.”
—Gwendolyn Brooks (b. 1917)
“Pray my dear, quoth my mother, have you not forgot to wind up the clock?MGood G! cried my father, making an exclamation, but taking care to moderate his voice at the same time,Did ever woman, since the creation of the world, interrupt a man with such a silly question?”
—Laurence Sterne (17131768)
“A pregnant woman and her spouse dream of three babiesthe perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.”
—T. Berry Brazelton (20th century)
“Happy is that mother whose ability to help her children continues on from babyhood and manhood into maturity. Blessed is the son who need not leave his mother at the threshold of the worlds activities, but may always and everywhere have her blessing and her help. Thrice blessed are the son and the mother between whom there exists an association not only physical and affectional, but spiritual and intellectual, and broad and wise as is the scope of each being.”
—Lydia Hoyt Farmer (18421903)