Voice and Musical Ability
Braxton has been recognized for her distinctive dramatic contralto voice. Her voice has been called "husky, sultry, elegant and sexy." Due to the huskiness of her voice, Braxton often used male singers such as Michael McDonald, Luther Vandross and Stevie Wonder as vocal style models. Chaka Khan and Anita Baker were two of the few female singers, that she could stylize. Steve Huey of Allmusic cites a key to Braxton's success is the versatility of her voice, which he states as being "soulful enough for R&B audiences, but smooth enough for adult contemporary; sophisticated enough for adults, but sultry enough for younger listeners; strong enough in the face of heartbreak to appeal to women, but ravishing enough to nab the fellas."
Braxton began her career singing traditional R&B and adult contemporary ballads and love songs on her debut and sophomore albums. However, hip-hop soul and dance music elements begun to get spun into her sound on The Heat, More Than a Woman, and Pulse. She also showcased her classical training while performing in Broadway plays Beauty and the Beast and Aida as well as her duet with Il Divo, "The Time of Our Lives".
Read more about this topic: Toni Braxton
Famous quotes containing the words voice, musical and/or ability:
“‘Stay—stay with us!—rest—thou art
weary and worn!’—
And fain was their war-broken soldier to stay;—
But sorrow return’d with the dawning of morn,
And the voice in my dreaming ear melted away.”
—Thomas Campbell (1774–1844)
“A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.”
—T. Berry Brazelton (20th century)
“The test of a first-rate intelligence is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.”
—F. Scott Fitzgerald (1896–1940)