Tom Savini - Career

Career

Savini is primarily known for his groundbreaking work in the field of special makeup effects, His signature realism livens otherwise plodding genre films. Early in Savini's career, Dick Smith became an inspiration and a guide, later becoming an associate at Savini's Special Make-up Effects Program. Among other projects, Smith is known for his groundbreaking work in The Exorcist.

Savini got his breakthrough working with Pittsburgh filmmaker George A. Romero, providing a convincing wrist slashing effect in the opening scenes of Martin (1977). The following year, working with an larger budget on Dawn of the Dead, Savini created his signature palette of severed limbs and bite-marks. In the 1980 slasher film Friday the 13th, Savini expanded his repertoire of blood and gore. He continued to perfect those techniques in another film that year, Maniac. Along with the 1981 films The Burning and The Prowler, Savini earned the nickname "The Sultan of Splatter". In 1982, he created more traditional horror effects in the film Creepshow directed by George A. Romero and written by Stephen King. In 1984, he agreed to work on Friday the 13th: The Final Chapter, where he killed his creation Jason Voorhees. Returning to the zombie genre in 1985, Savini was nominated and won the 1985 Saturn Award for Best Makeup Effects for his work on the Romero's Day of the Dead. In 1986, Savini worked with director Tobe Hooper on the film The Texas Chainsaw Massacre 2. Savini has also worked on films by Italian director Dario Argento, first in 1990 on the film Two Evil Eyes and again on the 1993 film Trauma. In the 1991 film Heartstopper, he created special effects for director John A. Russo. Although focusing more on his acting career in recent years, Savini has continued to be active with special makeup effects and in 2011 supervised the effects for the Australian film Redd Inc.

As an actor, Savini has appeared in many of the same films he was creating effects for. His first appearance was a relatively straight, innocuous character in Martin in 1977; however, he played a menacing biker called Blades in his next film Dawn of the Dead (1978), a role he reprised in zombie form with a cameo appearance in the 2005 continuation of the series, Land of the Dead. In the 1980 film Maniac, his brief role in the film found him facing the maniac's shotgun and having his head blown off in a spectacular display. Savini had a much more prominent role as biker and antagonist Morgan, the Black Knight, in George A. Romero's Knightriders (1981). Continuing with the biker theme, Savini played the universally recognized, whip-wielding, vampire-fighting biker "Sex Machine" in the 1996 Quentin Tarantino/Robert Rodriguez film From Dusk till Dawn. (This character was a riff on Blades from Dawn of the Dead replete with the same costume.)

In 2007, Savini took on a role in "Planet Terror", one of the two stories in the Grindhouse film, directed by Robert Rodriguez. Savini plays the character of Deputy Tolo who fights to save his town from an infestation of zombie like creatures. In another Rodriguez film, Machete, based on a fake movie trailer played during the Grindhouse film, Savini plays the character of Osiris Amanpour, hired to track and kill the main character, Machete; Rodriguez has planned a return of Savin's character Osiris in the sequel to Machete. Throughout the years, Savini has appeared in movie roles from cameos as the vampire David Van Etten in Lost Boys: The Tribe, as the sheriff in the 2004 Dawn of the Dead remake, or tongue in cheek characters, like Jesus Christ in Zombiegeddon (2003). In 2006, Savini essayed the role of Prester John, the mythical villain in the dreamlike Sea of Dust. That year also saw the release of Johannes Roberts' Forest of the Damned, in which Savini played a mad hermit surrounded by angels cast from heaven. In 2008, he made a brief appearance in Zack & Miri Make a Porno as a thieving slumlord. He also appeared in The Dead Matter, along with Andrew Divoff and Jim O'Rear. Savini voiced himself on the The Simpsons episode "Worst Episode Ever". While making an appearance at Android's Dungeon, Savini performs the "Gutbuster" gag, covering the crowd in "blood and guts" and consequently humiliating the Comic Book Guy. Future projects include Savini starring in the Nazi zombie film The 4th Reich directed by Shaun Robert Smith, playing the role of SS-Standartenführer Oskar Dirlewanger.

As a film director, Savini helmed episodes of the syndicated television series Tales from the Darkside, the aforementioned 1990 color remake of Night of the Living Dead and, House Call, the pilot of the proposed series The Chill Factor, which starred Pittsburgh actor Bingo O'Malley. In 2011, he directed "Wet Dreams", one of six segments to the horror film The Theatre Bizarre. In 2009, Savini announced his plan to direct a new film, Death Island, with special make-up effects by his former protege Greg Nicotero.

In the 2008 novel Bad Moon Rising by Jonathan Maberry, Savini appears as one of the real-world horror celebrities who are in the fictional town of Pine Deep when monsters attack; other celebrities include James Gunn, Brinke Stevens, Ken Foree, Stephen Susco, Debbie Rochon, Joe Bob Briggs and blues man Mem Shannon.

Savini also briefly took part in Jerry Lawler's 2010 revival of the Memphis Wrestling pro wrestling television show. His on-screen character sent horror-movie monsters (played by wrestlers from the Memphis area) onto the show to get revenge for Savini who blamed Lawler for the death of Savini's friend Andy Kaufman; the monsters' handler was manager "Hollywood" Jimmy Blaylock.

In 2012, American filmmaker Jason Baker made a biography of Savini entitled Smoke and Mirrors: The Story of Tom Savini. The same year, Savini appeared as a shop teacher, Mr. Callahan, in the Pittsburgh-set teen drama The Perks of Being a Wallflower, starring Logan Lerman.

Read more about this topic:  Tom Savini

Famous quotes containing the word career:

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)