Tom Lehrer - Musical Career

Musical Career

Lehrer was mainly influenced by musical theater. According to Gerald Nachman's book Seriously Funny, the broadway musical, "Let's Face It" (lyrics by Sylvia Fine; music by Cole Porter) made an early and lasting impression. Lehrer's style consists of parodying various forms of popular song. For example, his appreciation of list songs led him to write "The Elements", which lists the Periodic table to the tune of Gilbert and Sullivan's "Major-General's Song".

Author Isaac Asimov recounted in his second autobiographical volume In Joy Still Felt of seeing Lehrer perform in a Boston nightclub on October 9, 1954, during which Lehrer sang very cleverly about Jim getting it from Louise, and Sally from Jim, "and after a while you gathered the 'it' to be venereal disease . Suddenly, as the combinations grew more grotesque, you realized he was satirizing every perversion known to mankind without using a single naughty phrase. It was clearly unsingable (in those days) outside a nightclub." Asimov also recalled a song that dealt with the Boston subway system, making use of the stations leading into town from Harvard, observing that the local subject-matter rendered the song useless for general distribution. Lehrer subsequently granted Asimov permission to print the lyrics to the subway song in his book. "I haven't gone to nightclubs often," said Asimov, "but of all the times I have gone, it was on this occasion that I had by far the best time."

Lehrer was inspired by the success of his performances of his own songs, so he paid for some studio time to record Songs by Tom Lehrer. At the time, radio stations would not give Lehrer air time because of his controversial subjects. Instead, he sold his album on campus at Harvard for three dollars, while "supportive record merchants and dorm newsstands bought copies…and marked them up fifty cents." After one summer, he also started to receive mail orders from all parts of the country (as far away as San Francisco, after The Chronicle wrote an article on the record). Interest in his recordings was spread by word of mouth; friends and supporters brought their records home and played them for their friends, who then also wanted a copy.

The album—which included the macabre "I Hold Your Hand in Mine", the mildly risqué "Be Prepared", and "Lobachevsky" (regarding plagiarizing mathematicians) became a cult success via word of mouth, despite being self-published and without promotion. Lehrer then embarked on a series of concert tours and recorded a second album, which was released in two versions: the songs were the same, but More of Tom Lehrer was studio-recorded, while An Evening Wasted with Tom Lehrer was recorded live in concert.

Lehrer's major breakthrough in the United Kingdom came as a result of the citation accompanying an honorary degree given to Princess Margaret, where she cited musical tastes as "catholic, ranging from Mozart to Tom Lehrer". This prompted significant interest in his works and helped secure distributors for his material in the UK. It was there that his music achieved real popularity, as a result of the proliferation of university newspapers referring to the material, and the willingness of the BBC to play his songs on the radio (something that was a rarity in the United States).

By the early 1960s, Lehrer had retired from touring and was employed as the resident songwriter for the U.S. edition of That Was The Week That Was (TW3), a satirical television show. An increased proportion of his output became overtly political, or at least topical, on subjects such as education ("New Math"), the Second Vatican Council ("The Vatican Rag"), race relations ("National Brotherhood Week"), air and water pollution ("Pollution"), American militarism ("Send the Marines"), World War III "pre-nostalgia" ("So Long, Mom", premiered by Steve Allen), and nuclear proliferation ("Who's Next?" and "MLF Lullaby"). He also wrote a song that famously satirized the alleged amorality of rocket scientist Wernher von Braun, who had previously worked for Nazi Germany before working for the United States. ("'Once the rockets are up, who cares where they come down? That's not my department', says Wernher von Braun.") Lehrer did not appear on the television show; his songs were performed by a female vocalist and his lyrics were often altered by the network censors. Lehrer later performed the songs on the album, That Was The Year That Was, so that, in his words, people could hear the songs the way they were intended to be heard.

In 1967, Lehrer was persuaded to make a short tour in Norway and Denmark, where he performed some of the songs from the television program. The performance in Oslo, Norway, on September 10 was recorded on video tape and aired locally later that autumn; this program was released on DVD some 40 years later. On that tour, a concert at the "Studenterforeningen" (student association) in Copenhagen, Denmark, where a prominent international guest was invited annually, was also televised; Lehrer commented onstage that he might be America's "revenge for Victor Borge."

Also around 1967, Lehrer composed and performed on piano original songs in a Dodge automobile "industrial" film that was distributed primarily to Dodge automobile dealers. It was also shown at promotional events organized by Dodge. Set in a fictional American wild west town, the full proper title of the film appears to be "The Dodge Rebellion Theatre presents Ballads For '67" Since the film is introducing 1967 model automobiles, it was possibly produced in late 1966.

The record deal with Reprise Records for the That Was The Year That Was album also gave Reprise distribution rights for Lehrer's earlier recordings, as Lehrer wanted to wind up his own record imprint. The Reprise issue of Songs by Tom Lehrer was a stereo re-recording. This version was not issued on CD, but the songs were issued on the live Tom Lehrer Revisited CD instead. The recording also included bonus tracks "L-Y" and "Silent E", which Lehrer wrote for the PBS children's educational series The Electric Company. Lehrer later commented that worldwide sales of the recordings under Reprise surpassed 1.8 million units in 1996. That same year, the album That Was The Year That Was went gold. The album liner notes (and Lehrer himself in one routine) promote Tom Lehrer's songs using reverse psychology, by deliberately quoting his negative reviews. ("I know it's very bad form to quote one's own reviews, but there is something the New York Times said about me, that I have always treasured: 'Mr. Lehrer's muse not fettered by such inhibiting factors as taste.")