Theatre
| Year | Title | Role | Notes |
|---|---|---|---|
| 1992 | Tartuffe | Damis | Directed by Sir Peter Hall (Playhouse); play by Molière; Stephens' West End theatre debut |
| 1992 | Tamburlaine | Celebinus/King of Argier | Directed by Terry Hands (RSC); play by Christopher Marlowe |
| 1992 | Antony and Cleopatra | Pompey | Directed by John Caird (RSC); play by Shakespeare |
| 1992 | All's Well That Ends Well | Bertram | Directed by Sir Peter Hall (RSC); play by Shakespeare |
| 1993 | Wallenstein | Max Piccolomini | Directed by Tim Albery (RSC); play by Friedrich von Schiller |
| 1994 | Unfinished Business | Young Beamish | Directed by Steven Pimlott (RSC); play by Michael Hastings |
| 1994 | Coriolanus | Caius Marcius Coriolanus | Directed by David Thacker (RSC); play by Shakespeare |
| 1994 | A Midsummer Night's Dream | Lysander | Directed by Adrian Noble (RSC); play by Shakespeare |
| 1994 | Measure for Measure | Claudio | Directed by Steven Pimlott (RSC); play by Shakespeare |
| 1996 | A Streetcar Named Desire | Stanley Kowalski | Directed by Sir Peter Hall (The Haymarket); play by Tennessee Williams |
| 1998/99 | Phedre | Hippolytus | Directed by Jonathan Kent (Almeida & Brooklyn Academy); play by Jean Racine |
| 1998/99 | Britannicus | Nero | Directed by Jonathan Kent (Almeida & Brooklyn Academy); play by Jean Racine |
| 1999 | Ring Round the Moon | Hugo/Frederick | Directed by Gerry Gutierrez (Lincoln Center Theatre NY); play by Jean Anouilh; Stephens' Broadway debut |
| 2001 | Japes | Japes | Directed by Sir Peter Hall (The Haymarket); play by Simon Gray |
| 2001 | The Royal Family | Anthony Cavendish | Directed by Sir Peter Hall (The Haymarket); play by George S. Kaufman and Edna Ferber |
| 2004 | Hamlet | Hamlet | Directed by Michael Boyd (RSC); play by Shakespeare |
| 2004 | The Pilate Workshop | Jesus | Directed by Michael Boyd (RSC); play by Helen Edmundson, based on Ann Wroe's Pontius Pilate: The Biography of an Invented Man |
| 2007 | Betrayal | Jerry | Directed by Roger Michell (Donmar); play by Harold Pinter |
| 2007 | The Country Wife | Mr. Horner | Directed by Jonathan Kent (Haymarket); play by William Wycherley |
| 2009 | A Doll's House | Thomas (Torvald, Nora's husband, in the original) | Directed by Kfir Yefet (Donmar); play by Henrik Ibsen, adapted by Zinnie Harris |
| 2010 | The Real Thing | Henry | Directed by Anna Mackmin; play by Tom Stoppard |
| 2010 | Danton's Death | Georges Danton | Directed by Michael Grandage; play by Georg Büchner |
| 2012 | Private Lives | Elyot Chase | Directed by Jonathan Kent; play by Noël Coward |
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Famous quotes containing the word theatre:
“The theatre is the involuntary reflex of the ideas of the crowd.”
—Sarah Bernhardt (1845–1923)
“The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony—periods when the antithesis is in abeyance.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (1900–1993)