To Die For - Critical Reception

Critical Reception

The film was screened out of competition at the 1995 Cannes Film Festival.

Katherine Ramsland of Crime Library describes the film as an example of a work displaying women with antisocial personalities; Ramsland describes Suzanne as a "manipulator extraordinaire" who harms people through third parties.

In her review in The New York Times, Janet Maslin called the film "an irresistible black comedy and a wicked delight" and added, " takes aim at tabloid ethics and hits a solid bull's-eye, with Ms. Kidman's teasingly beautiful Suzanne as the most alluring of media-mad monsters. The target is broad, but Gus Van Sant's film is too expertly sharp and funny for that to matter; instead, it shows off this director's slyness better than any of his work since Drugstore Cowboy . . . Both Mr. Van Sant and Ms. Kidman have reinvented themselves miraculously for this occasion, which brings out the best in all concerned."

Mick LaSalle of the San Francisco Chronicle said of Kidman, " brings to the role layers of meaning, intention and impulse. Telling her story in close-up - as she does throughout the film - Kidman lets you see the calculation, the wheels turning, the transparent efforts to charm that succeed in charming all the same . . . her beauty and magnetism are electric. Undeniably she belongs on camera, which means it's equally undeniable that Suzanne belongs on camera. That in itself is an irony, a commentary or both."

American Film Institute recognition:

• AFI's 100 Years...100 Heroes and Villains:
  • Suzanne Stone - Nominated Villain
• AFI's 100 Years...100 Laughs - Nominated