Early Life
Tatiana (Tina) Josivovna Chernova Blacker was born in New York City to a Jewish family. She was raised by her mother, Betty Horn Myers (1916–2011), a fashion model. Her father, Joseph Blacker, was a candy store owner in Brooklyn and later an accountant. The name "Louise" was supposedly added during her senior year in high school when she mentioned to her drama teacher that she was the only girl in the class without a middle name. He immediately picked the name "Louise" and it stuck. She attended Miami University in Oxford, Ohio. At age 17, Louise began studying acting, singing and dancing. During her early acting years, she was offered modeling jobs and appeared on the cover of several pinup magazines such as Adam, Sir! and Modern Man. Her later pictorials for Playboy (May 1958, April 1959) were arranged by Columbia Pictures studio in an effort to further promote the young actress. Her acting debut came in 1952 in the Bette Davis musical revue Two's Company, followed by roles in other Broadway productions, such as John Murray Anderson's Almanac, The Fifth Season, and Will Success Spoil Rock Hunter? She also appeared in such early live television dramas as Studio One, Producers' Showcase, and Appointment with Adventure.
In 1957, she and Julie Newmar appeared on Broadway in the hit musical Li'l Abner. Her album It's Time for Tina was also released that year, with songs such as "Embraceable You" and "I'm in the Mood for Love".
Read more about this topic: Tina Louise
Famous quotes containing the words early and/or life:
“If there is a price to pay for the privilege of spending the early years of child rearing in the drivers seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.”
—Melinda M. Marshall (20th century)
“Kitterings brain. What we will he think when he resumes life in that body? Will he thank us for giving him a new lease on life? Or will he object to finding his ego living in that human junk heap?”
—W. Scott Darling. Erle C. Kenton. Dr. Frankenstein (Sir Cedric Hardwicke)