Criticism
According to time capsule historian William Jarvis, most intentional time capsules usually do not provide much useful historical information: they are typically filled with "useless junk", new and pristine in condition, that tells little about the people of the time. Many time capsules today contain only artifacts of limited value to future historians. Historians suggest that items which describe the daily lives of the people who created them, such as personal notes, pictures, and documents, would greatly increase the value of the time capsule to future historians.
If time capsules have a museum-like goal of preserving the culture of a particular time and place for study, they fulfill this goal very poorly in that they, by definition, are kept sealed for a particular length of time. Subsequent generations between the launch date and the target date will have no direct access to the artifacts and therefore these generations are prevented from learning from the contents directly. Therefore, time capsules can be seen, in respect to their usefulness to historians, as dormant museums, their releases timed for some date so far in the future that the building in question is no longer intact.
Historians also concede that there are many preservation issues surrounding the selection of the media to transmit this information to the future. Some of these issues include the obsolescence of technology and the deterioration of electronic and magnetic storage media, and possible language problems if the capsule is dug up in the distant future. Many buried time capsules are lost, as interest in them fades and the exact location is forgotten, or are destroyed within a few years by groundwater.
Archives and archival materials, including videos, might be the best types of time capsules, as long as the medium can still be used, or the data can be read by the latest technologies and software.
Read more about this topic: Time Capsule
Famous quotes containing the word criticism:
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance. He becomes a source of blessings rather than wages. Criticism is sacrilege, doubt is heresy.”
—Ben Hecht (1893–1964)
“I, with other Americans, have perhaps unduly resented the stream of criticism of American life ... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.”
—Herbert Hoover (1874–1964)