Production
As with most BBC sitcoms Till Death Us Do Part was recorded before a live studio audience. The programs were recorded onto 2 inch Quadruplex videotape. From 1966 to 1968 the show was both taped and transmitted in black and white on the 405-line system. When the show returned in 1970, it was recorded the same way only in colour in PAL 576i (using 625 lines). The opening titles/end credits of the first colour episodes originally used the b/w sequence from the '60s tinted in red, as seen on UKTV Gold repeats in 2006.
The house seen in the opening and closing titles to the 1960s episodes was located on Garnet Street in Wapping (from where writer Johnny Speight took the Garnett family name) and this terrace was demolished in the 1980s. A terrace of newer multicoloured homes & an estate agents take their place. They are located on Garnet street in close proximity to the local Wallace James shop, St Peter's Primary School, Gastronomica bar, Docklands General Store and Crane Wharf.
Read more about this topic: Till Death Us Do Part (UK TV series)
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)