Production
In the film, Mitchum drove a souped-up 1951 Ford 2-door sedan hot-rod with a custom tank in the back for moonshine and later a 1957 Ford coupe with the same alterations. The '51 Ford was modified with a '49 hood and grill and the rear taillight trim was removed. The film's dialogue refers to the car as a '50, but it is not, although at least one exterior shot, when the car spills oil on the road, is of the trunk of a '50.
Most of the scenes were filmed in Asheville, North Carolina Highway 16 and others at Lake Lure. Some scenes were filmed in Beech, east of Weaverville. Scenes include Reems Creek Road, Sugar Creek Road and the Beech Community Center. Some scenes were actual local moonshine drivers shot with a camera mounted on a pickup tailgate.
The stunt coordinator was Cary Loftin. The stunt team included Ray Austin, Neil Castes Sr., Robert Hoy and Dale Van Sickel.
The movie's theme song, "The Ballad of Thunder Road", was later recorded by Mitchum and became a popular single record, although Mitchum's rendition is not the one in the film itself.
Read more about this topic: Thunder Road
Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)