Plot
Korean War veteran Lucas Doolin (Robert Mitchum) works in the family moonshine business— delivering the illegal liquor his father distills to clandestine distribution points throughout the south in his souped-up hot rod. However, Lucas has more problems than evading the U.S. Treasury agents ("revenooers"), led by determined newcomer Troy Barrett (Gene Barry). Lucas is concerned that his younger brother Robin (James Mitchum), who is also his mechanic, will be tempted into following in his footsteps and becoming a moonshine runner.
A well-funded outside gangster, Carl Kogan (Jacques Aubuchon), tries to gain control of the independent local moonshine producers and their distribution points, and is willing to kill anyone who stands in his way. The stakes rise when an attempt by Kogan to kill Lucas results in the death of a government agent as well as another moonshine driver.
In a romantic subplot, Lucas becomes involved with nightclub singer Francie Wymore (Keely Smith). He is unaware one of the neighbor girls, Roxanna Ledbetter (Sandra Knight), has a crush on him and fears for his life.
When a series of government raids destroy their hidden stills, Lucas' father and the other local moonshines shut down production "for a spell" to let the government deal with Kogan in its own time, but Lucas is forced by circumstances and his own code of honor to make a final run.
Read more about this topic: Thunder Road
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)