Early Group History
Hersh enlisted her stepsister, Donelly, to help form the group while they were attending Rogers High School. The two served as guitarists, lead vocalists, and songwriters for the group; drummer David Narcizo joined shortly thereafter. Hersh originally named the group "The Muses". Since the band was no longer composed of only female musicians after Narcizo joined, they decided to shift to a name with fewer gender-specific connotations, "Throwing Muses". (More recent interviews with Kristin state that they were never called "The Muses" or "Kristin & The Muses.")
Early recordings were made in 1983 but not released. A self-titled EP was released in 1984 on their Blowing Fuses label. The group self-released a set of demos in 1985, later known as The Doghouse Cassette, garnering a number-one college radio hit, "Sinkhole," that year. The demos came to the attention of Ivo Watts-Russell, who signed them as the first U.S. band on the 4AD Records label and released their self-titled debut album in 1986.
The group also co-released some of their later albums on Sire/Reprise Records and Rykodisc. With cover stories about them published in most major British music publications of the 1980s, they became one of the first successful alternative rock acts to be led by two female singer/guitarists.
The band's personnel has changed over the years. Bassist Leslie Langston left after 1990, replaced by Fred Abong, but returned briefly to record tracks on Red Heaven in 1992. Donelly left Throwing Muses after 1991's The Real Ramona, first to perform in The Breeders and afterwards to form Belly. Abong left in 1991, soon joining Belly, and was succeeded by Bernard Georges in 1993. Since 1992, the group has been a trio composed of Hersh on guitar and vocals, Georges on bass, and Narcizo on drums. During the mid-1990s, Hersh also began a solo recording career, releasing the album Hips and Makers, alongside her band work.
Read more about this topic: Throwing Muses
Famous quotes containing the words early, group and/or history:
“...to many a mothers heart has come the disappointment of a loss of power, a limitation of influence when early manhood takes the boy from the home, or when even before that time, in school, or where he touches the great world and begins to be bewildered with its controversies, trade and economics and politics make their imprint even while his lips are dewy with his mothers kiss.”
—J. Ellen Foster (18401910)
“My routines come out of total unhappiness. My audiences are my group therapy.”
—Joan Rivers (b. 1935)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (18741946)