Three Colors: Blue - Symbols

Symbols

Music plays an intricate element of the plot in that it illustrates Julie's efforts to be isolated from everything but cannot do it, such as music cannot be made with a single note but through harmony with all others and how everyone has (or represents) a different kind of music, such as the union of Julie/Patrice had a special tone, which is quite different and more raw with the union of Julie/Olivier.

A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to his/her past. In the case of Blue, it is the lamp of blue beads and a symbol seen throughout the film in the TV of people falling (doing either sky diving or bungee jumping), the director is careful in showing falls with no cords at the beginning of the film but as the story develops the image of cords becomes more and more apparent as a symbol of a link to the past. In the case of White the item that links Karol to his past is a 2 Fr. coin and a plaster bust of Marianne that he steals from an antique store in Paris. In the case of Red the judge never closes or locks his doors and his fountain pen, which stops working at a crucial point in the story.

Another recurring image related to the spirit of the film is that of elderly people recycling bottles: In Three Colors: Blue, an old woman in Paris is recycling bottles and Julie does not notice her (in the spirit of freedom), in Three Colors: White, an old man also in Paris is trying to recycle a bottle but cannot reach the container and Karol looks at him with a sinister grin on his face (in the spirit of equality) and in Three Colors: Red an old woman cannot reach the hole of the container and Valentine helps her (in the spirit of fraternity).

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Famous quotes containing the word symbols:

    For all symbols are fluxional; all language is vehicular and transitive, and is good, as ferries and horses are, for conveyance, not as farms and houses are, for homestead.
    Ralph Waldo Emerson (1803–1882)

    There are those who would keep us slipping back into the darkness of division, into the snake pit of racial hatred, of racial antagonism and of support for symbols of the struggle to keep African-Americans in bondage.
    Carol Moseley-Braun (b. 1947)

    I do not deny that there may be other well-founded causes for the hatred which various classes feel toward politicians, but the main one seems to me that politicians are symbols of the fact that every class must take every other class into account.
    José Ortega Y Gasset (1883–1955)