Thomas Love Peacock - Friendship With Shelley

Friendship With Shelley

In 1812 Peacock published another elaborate poem, The Philosophy of Melancholy, and in the same year made the acquaintance of Shelley. He wrote in his memoir of Shelley, that he "saw Shelley for the first time just before he went to Tanyrallt", whither Shelley proceeded from London in November 1812 (Hogg's Life of Shelley, vol. 2, pp. 174, 175.) Thomas Hookham, the publisher of all Peacock's early writings, was possibly responsible for the introduction. It was Hookham's circulating library which Shelley used for many years, and Hookham had sent The Genius of the Thames to Shelley, and in the Shelley Memorials, pp. 38–40, is a letter from the poet dated 18 August 1812, extolling the poetical merits of the performance and with equal exaggeration censuring what he thought the author's misguided patriotism. Peacock and Shelley became friends and Peacock influenced Shelley's fortunes both before and after his death.

In the winter of 1813 Peacock accompanied Shelley and his first wife Harriet to Edinburgh. Peacock was fond of Harriet, and in his old age defended her reputation from slanders spread by Jane, Lady Shelley, the daughter-in-law of Shelley's second wife Mary.

In 1814 Peacock published a satirical ballad, Sir Proteus which appeared under the pseudonym "P. M. O'Donovan, Esq." Shelley resorted to him during the agitation of mind which preceded his separation from Harriet. After Shelley deserted Harriet, Peacock became an almost daily visitor throughout the winter of 1814–15 of Shelley and Mary Godwin (later Mary Shelley), at their London lodgings. In 1815 Peacock shared their voyage to the source of the Thames. "He seems", writes Charles Clairmont, Mary Godwin's stepbrother and a member of the party, "an idly-inclined man; indeed, he is professedly so in the summer; he owns he cannot apply himself to study, and thinks it more beneficial to him as a human being entirely to devote himself to the beauties of the season while they last; he was only happy while out from morning till night". By September 1815 when Shelley had taken up residence at Bishopsgate, near Windsor, Peacock had settled at Great Marlow. Peacock wrote Headlong Hall in 1815, and it was published the following year. With this work Peacock found the true field for his literary gift in the satiric novel, interspersed with delightful lyrics, amorous, narrative, or convivial.

During the winter of 1815–16 Peacock was regularly walking over to visit Shelley at Bishopgate. There he met Thomas Jefferson Hogg, and "the winter was a mere Atticism. Our studies were exclusively Greek". In 1816 Shelley went abroad, and Peacock appears to have been entrusted with the task of finding the Shelleys a new residence. He fixed them near his own home at Great Marlow. Peacock received a pension from Shelley for a time, and was put into requisition to keep off wholly unauthorised intruders upon Shelley's hospitable household. Peacock was consulted about alterations in Shelley's Laon and Cythna, and Peacock's enthusiasm for Greek poetry probably had some influence on Shelley's work. Shelley's influence upon Peacock may be traced in the latter's poem of Rhododaphne, or the Thessalian Spell, published in 1818 and Shelley wrote a eulogistic review of it. Peacock also wrote at this time the satirical novels Melincourt published in 1817 and Nightmare Abbey published in 1818. Shelley made his final departure for Italy and the friends' agreement for mutual correspondence produced Shelley's magnificent descriptive letters from Italy, which otherwise might never have been written.

Peacock told Shelley that "he did not find this brilliant summer," of 1818, "very favourable to intellectual exertion;" but before it was quite over "rivers, castles, forests, abbeys, monks, maids, kings, and banditti were all dancing before me like a masked ball." He was at this time writing his romance of Maid Marian which he had completed except for the last three chapters.