Early Writings and Introduction To Literary Society
Before long Hood contributed humorous and poetical articles to the provincial newspapers and magazines. As a proof of his literary vocation, he used to write out his poems in printed characters, believing that that process best enabled him to understand his own peculiarities and faults, and probably unaware that Samuel Taylor Coleridge had recommended some such method of criticism when he said he thought "print settles it." On his return to London in 1818 he applied himself to engraving, enabling him later to illustrate his various humours and fancies by quaint devices.
In 1821, John Scott, the editor of the London Magazine, was killed in a duel, and the periodical passed into the hands of some friends of Hood, who proposed to make him sub-editor. His installation into this post at once introduced him to the literary society of the time; and in becoming the associate of John Hamilton Reynolds, Charles Lamb, Henry Cary, Thomas de Quincey, Allan Cunningham, Bryan Procter, Serjeant Talfourd, Hartley Coleridge, the peasant-poet John Clare and other contributors to the magazine, he gradually developed his own powers.
Read more about this topic: Thomas Hood
Famous quotes containing the words early, writings, introduction, literary and/or society:
“I got a little secretarial job after college, but I thought of it as a prelude. Education, work, whatever you did before marriage, was only a prelude to your real life, which was marriage.”
—Bonnie Carr (c. early 1930s)
“For character, to prepare for the inevitable I recommend selections from [Ralph Waldo] Emerson. His writings have done for me far more than all other reading.”
—Rutherford Birchard Hayes (1822–1893)
“My objection to Liberalism is this—that it is the introduction into the practical business of life of the highest kind—namely, politics—of philosophical ideas instead of political principles.”
—Benjamin Disraeli (1804–1881)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)
“This habit of free speaking at ladies’ lunches has impaired society; it has doubtless led to many of the tragedies of divorce and marital unhappiness. Could society be deaf and dumb and Congress abolished for a season, what a happy and peaceful life one could lead!”
—M. E. W. Sherwood (1826–1903)