Thomas Hood - Early Writings and Introduction To Literary Society

Early Writings and Introduction To Literary Society

Before long Hood contributed humorous and poetical articles to the provincial newspapers and magazines. As a proof of his literary vocation, he used to write out his poems in printed characters, believing that that process best enabled him to understand his own peculiarities and faults, and probably unaware that Samuel Taylor Coleridge had recommended some such method of criticism when he said he thought "print settles it." On his return to London in 1818 he applied himself to engraving, enabling him later to illustrate his various humours and fancies by quaint devices.

In 1821, John Scott, the editor of the London Magazine, was killed in a duel, and the periodical passed into the hands of some friends of Hood, who proposed to make him sub-editor. His installation into this post at once introduced him to the literary society of the time; and in becoming the associate of John Hamilton Reynolds, Charles Lamb, Henry Cary, Thomas de Quincey, Allan Cunningham, Bryan Procter, Serjeant Talfourd, Hartley Coleridge, the peasant-poet John Clare and other contributors to the magazine, he gradually developed his own powers.

Read more about this topic:  Thomas Hood

Famous quotes containing the words early, writings, introduction, literary and/or society:

    I could be, I discovered, by turns stern, loving, wise, silly, youthful, aged, racial, universal, indulgent, strict, with a remarkably easy and often cunning detachment ... various ways that an adult, spurred by guilt, by annoyance, by condescension, by loneliness, deals with the prerogatives of power and love.
    —Gerald Early (20th century)

    In this part of the world it is considered a ground for complaint if a man’s writings admit of more than one interpretation.
    Henry David Thoreau (1817–1862)

    For better or worse, stepparenting is self-conscious parenting. You’re damned if you do, and damned if you don’t.
    —Anonymous Parent. Making It as a Stepparent, by Claire Berman, introduction (1980, repr. 1986)

    The literary artist will ... portray what he knows, and little else. Imagination is built upon knowledge, and his dreams will rest upon his facts. He is worth to the world just about what he has learned from it, and no more.
    Elizabeth Stuart Phelps (1844–1911)

    The institution of the family is decisive in determining not only if a person has the capacity to love another individual but in the larger social sense whether he is capable of loving his fellow men collectively. The whole of society rests on this foundation for stability, understanding and social peace.
    Daniel Patrick Moynihan (20th century)