Epitaph
Thomas Garner was well respected by his contemporaries. When the architect John Francis Bentley, stricken by a fatal illness, was asked by Cardinal Vaughan which architect he would choose to carry on his work in the Cathedral at Westminster, he replied: "Garner, for he is a man of genius". His genius derived from the minutely careful finish of his work, based on his unremitting study and love of Mediaeval archeology, Gothic and Renaissance art, particularly its English manifestations. River House, Tite Street, Chelsea Embankment, completed in 1879, showed that he could design in a manner that was relatively little appreciated at the time: its sober early 18th-century character is singular as the design of a reputed Gothicist.
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Famous quotes containing the word epitaph:
“Their bodies are buried in peace; but their name liveth for evermore.”
—Apocrypha. Ecclesiasticus, 44:14.
The line “their name liveth for evermore” was chosen by Rudyard Kipling on behalf of the Imperial War Graves Commission as an epitaph to be used in Commonwealth War Cemeteries. Kipling had himself lost a son in the fighting.
“That land is like an Eagle, whose young gaze
Feeds on the noontide beam, whose golden plume
Floats moveless on the storm, and in the blaze
Of sunrise gleams when Earth is wrapped in gloom;
An epitaph of glory for the tomb
Of murdered Europe may thy fame be made,
Great People! as the sands shalt thou become;
Thy growth is swift as morn, when night must fade;
The multitudinous Earth shall sleep beneath thy shade.”
—Percy Bysshe Shelley (1792–1822)
“But since Thy loud-tongu’d Blood demands Supplies,
More from BriareusHands, than Argus Eyes,
I’ll tune Thy Elegies to Trumpet-sounds,
And write Thy Epitaph in Blood and Wounds!”
—James Graham Marquess of Montrose (1612–1650)