Career
Ritter did stock theater and radio shows early in her career, without much impact. Ritter's first movie role was in Miracle on 34th Street (1947). She made a memorable impression in a brief uncredited part, as a frustrated mother unable to find the toy that Kris Kringle has promised her son. Her second role, in writer-director Joseph L. Mankiewicz's A Letter to Three Wives (1949), left a mark, although Ritter was again uncredited. Mankiewicz kept Ritter in mind, and cast her as "Birdie" in All About Eve (1950), which earned her an Oscar nomination. A second nomination followed for her work in Mitchell Leisen's' classic ensemble screwball comedy The Mating Season (1951) starring Gene Tierney and John Lund. She enjoyed steady film work for the next dozen years.
She appeared in many of the episodic drama TV series of the 1950s, such as Alfred Hitchcock Presents, General Electric Theater, and The United States Steel Hour. Other film roles were as James Stewart's nurse in Rear Window (1954) and as Doris Day's housekeeper in Pillow Talk (1959). Although best known for comedy roles, she played the occasional dramatic role, most notably in Pickup on South Street (1953), Titanic (1953), and The Misfits (1961).
Read more about this topic: Thelma Ritter
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“My ambition in life: to become successful enough to resume my career as a neurasthenic.”
—Mason Cooley (b. 1927)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)