Thelma & Louise - Reception

Reception

The film was a critical success. Metacritic, lists a composite critical score of 88 out of 100, the Metacritic 90th best reviewed movie of all time. Rotten Tomatoes rates Thelma & Louise 92 percent Fresh. Janet Maslin of The New York Times, had only praise for the film in her 1992 review: "Mr. Scott's Thelma and Louise, with a sparkling screenplay by the first-time writer Callie Khouri, is a surprise on this and many other scores. It reveals the previously untapped talent of Mr. Scott (best known for majestically moody action films like Alien, Blade Runner and Black Rain) for exuberant comedy, and for vibrant American imagery, notwithstanding his English roots. It reimagines the buddy film with such freshness and vigor that the genre seems positively new. It discovers unexpected resources in both its stars, Susan Sarandon and Geena Davis, who are perfectly teamed as the spirited and original title characters." Roger Ebert also praises the film, but withholds a perfect score on the basis of "the last shot before the titles begin. It's a freeze frame that fades to white, which is fine, except it does so with unseemly haste... It's unsettling to get involved in a movie that takes 128 minutes to bring you to a payoff that the filmmakers seem to fear."

The film was screened out of competition at the 1991 Cannes Film Festival.

After watching this film, singer-songwriter Tori Amos wrote "Me and a Gun", the story of her rape six years earlier, which she had told no one about before watching this film. Triggered by a scene in the movie, Amos began sobbing publicly in a crowded movie theater and writing the lyrics to the song in her head.

The final scene, where the two embrace each other before driving off a cliff, has become an iconic scene. Numerous homages and parodies of this scene have appeared through the years, including alternate movie endings, cartoon parodies, and as a tragic ending to television series, music videos and commercials.

The film also received significant criticism from those who thought it was "male-bashing" and "man-hating" and that its depictions of men were unfairly negative.

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