Reception
The Year of Living Dangerously was entered into the 1983 Cannes Film Festival where it was well received by audiences and critics.
Film critic Roger Ebert gave the film four out of four stars and praised Linda Hunt's performance: "Billy Kwan is played, astonishingly, by a woman—Linda Hunt, a New York stage actress who enters the role so fully that it never occurs to us that she is not a man. This is what great acting is, a magical transformation of one person into another". In his review for The New York Times, Vincent Canby praised Mel Gibson's performance: "If this film doesn't make an international star of Mr. Gibson (Gallipoli, The Road Warrior), then nothing will. He possesses both the necessary talent and the screen presence". However, Time magazine's Richard Corliss wrote, "But in his attempt to blend his preoccupations with the plot of C. J. Koch's 1978 novel, Weir has perhaps packed too much imagery and information into his movie ... The plot becomes landlocked in true-life implausibilities; the characters rarely get a hold on the moviegoer's heart or lapels". In his review for the Washington Post, Gary Arnold described the film as "grievously flawed yet compelling tale of political intrigue, certainly a triumph of atmosphere if not of coherent dramatization". Newsweek magazine called the film "an annoying failure because it fritters away so many rich opportunities".
Read more about this topic: The Year Of Living Dangerously (film)
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (18031882)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)