Production
A number of filmmakers were interested in buying the rights to Christopher Koch's novel including Phillip Noyce. It was Peter Weir who was successful. Christopher Koch wrote an early draft but Weir was unhappy with it. Alan Sharp wrote three more drafts, then David Williamson was brought on to do several more drafts. Koch later came back on to work on some of the voice over, although he never spoke with Peter Weir. Koch later claimed that the final script was "55% Williamson/Weir, and 45% Koch".
The film was originally backed by the South Australian Film Corporation and the Australian Film Commission, with international distribution arranged by MGM-UA. However, the SAFC then dropped out and Weir's agent suggested MGM provide the entire $6 million budget themselves, which is what happened. It was by far the most ambitious Australian film undertaken at the time and was one of the first co-productions between Australia and a Hollywood studio.
Dancer David Atkins was originally cast as Billy Kwan. However, during rehearsals Weir began to feel that the relationship between his character and Mel Gibson's was not working so he decided to recast. Several actors auditioned, including Bob Balaban and Wallace Shawn, when Weir saw a photo of Linda Hunt. He asked for her to audition and decided to cast her.
Although originally set to be filmed in Jakarta, permission to film in Indonesia was denied, so the bulk of the movie was filmed in the Philippines. Death threats against Peter Weir and Mel Gibson from Muslims who believed the film would be anti-Islam forced the production to move to Australia. Gibson downplayed the death threats, saying, "It wasn't really that bad. We got a lot of death threats to be sure, but I just assumed that when there are so many, it must mean nothing is really going to happen. I mean, if they meant to kill us, why send a note?"
Mel Gibson described his character Guy, saying, “He's not a silver-tongued devil. He's kind of immature and he has some rough edges and I guess you could say the same for me.”
L'Enfant, a track from Vangelis' 1979 album Opera Sauvage, was featured in the film.
Read more about this topic: The Year Of Living Dangerously (film)
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