Main Characters
Pontifex family. First generation
- "Old" John Pontifex (16 August 1727-8 February 1812)
- Ruth Pontifex (13 October 1727-10 January 1811; wife of Old Pontifex; married 1750).
Second generation
- George Pontifex (c.1765-1838; son of Old John and Ruth Pontifex; married c.1797 to unnamed woman who died 1805).
Third generation
- Eliza (1798-18??; George Pontifex's eldest child; never marries)
- Maria (1799-18??; George Pontifex's second child; never marries)
- John (ca.1801-18??; George Pontifex's third child; marries & has unnamed son early 1837)
- Theobald (1802–1881; George Pontifex's fourth child; marries Christina Allaby July 1831; has 3 children)
- Alethea Pontifex (1805–1850; George Pontifex's fifth child; loves Overton but never marries him).
- Christina Pontifex (née Allaby; wife of Theobald Pontifex; married July 1831; died ca.1863).
Fourth generation
- Ernest Pontifex, the central character (born 6 September 1835; eldest child of Theobald and Christina Pontifex).
- Ellen Pontifex (born ca.1831; housemaid of Theobald and Christina; likely pregnant by John the coachman & married him 15 August 1851; separated; married bigamously to Ernest late 1850s; annulled 1862).
- Joseph (born 1836; second child of Theobald & Christina; married between 1875 & 1876).
- Charlotte (born 1837; third child of Theobald & Christina; married between 1876 & 1882).
Fifth generation
- Alice (born September 1860; illegitimate daughter of Ellen and Ernest; married Jack Rollings (born 1855)); marries at age 38 and has son.
- Georgie (born late 1861; illegitimate son of Ernest and Ellen); marries and has children.
Others
- Dr Skinner (Ernest's teacher).
- John (Theobald & Christina's family coachman. Gets Ellen pregnant; marries her 15 August 1851. Later separated due to her drunkenness).
- Mr Overton, the narrator (born 1802, loves Alethea Pontifex but never marries her; trustee of her estate; godfather to Ernest).
Read more about this topic: The Way Of All Flesh
Famous quotes containing the words main and/or characters:
“What is done for science must also be done for art: accepting undesirable side effects for the sake of the main goal, and moreover diminishing their importance by making this main goal more magnificent. For one should reform forward, not backward: social illnesses, revolutions, are evolutions inhibited by a conserving stupidity.”
—Robert Musil (18801942)
“I cannot be much pleased without an appearance of truth; at least of possibilityI wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (17521840)