Music
The continuous music score and the colour photography had much to do with the popularity of this film. Formally the work is operatic, with the plot advanced entirely through dialogue sung with accompanying music. The color photography is bright and vivid: and the whole is united by an orchestral score of simple but sincere rhythms and tunes that permeate continuously a story of events lasting at least five years.
The actors' voices were dubbed for the songs in The Umbrellas of Cherbourg:
- Danielle Licari: Geneviève Emery
- José Bartel: Guy Foucher
- Christiane Legrand: Madame Emery
- Georges Blaness: Roland Cassard
- Claudine Meunier: Madeleine
- Claire Leclerc: Aunt Élise
The film score established composer Michel Legrand's reputation in Hollywood, where he later scored other films, winning three Oscars. In North America, two of the film's songs became hits and were recorded by many artists: "I Will Wait For You" (the main theme) and "Watch What Happens" (originally "Recit de Cassard" "Cassard's Story"). Both were given new English lyrics by lyricist Norman Gimbel. Tony Bennett's classic performance of the theme song was added to one version of the soundtrack CD.
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Famous quotes containing the word music:
“I believe that water is the only drink for a wise man: wine is not so noble a liquor; and think of dashing the hopes of a morning with a cup of warm coffee, or of an evening with a dish of tea! Ah, how low I fall when I am tempted by them! Even music may be intoxicating. Such apparently slight causes destroyed Greece and Rome, and will destroy England and America.”
—Henry David Thoreau (1817–1862)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Sweet spring, full of sweet days and roses,
A box where sweets compacted lie;
My music shows ye have your closes,
And all must die.”
—George Herbert (1593–1633)